When I lived in California, the apartment I rented had an outside Jacuzzi. I liked taking it at night, seeing the sky above. Under the palm trees, I watched an airplane’s small dot of light blinking and moving through the stars. It was the moment that I felt like a winner who obtained a life in paradise by getting out of not only Japan but also my family to which I had been a bound successor.

Prices in the U.S. were extremely low compared to Japan back then because of the strong yen. It seemed to me that everything was on sale and I literally lived in a bargain country. Sadly, my life in paradise didn’t last long, though. The Japanese economy crashed and yen turned weak. Inflation had edged up in the States as well.

Price hikes assaulted me in all directions. I became unable to pay the rent even if I had moved into a cheap motel. I was practically kicked out of the States and the plane brought bitterly-discouraged myself back to Japan where I returned to a life of reality in a teeny-tiny apartment.

Time went by, and I had benefited from technological advances like the Internet and computers, and also from the fall of housing value in Japan. Those benefits let me live in a condominium that has a communal spa. I take a Jacuzzi there watching a beautiful view of the mountains with lingering snow out of big windows.

One day, I felt so euphoric that I thought this wasn’t real. I thought I may have already died from that northern Japan’s severe earthquake or from the subsequent meltdown of the nuclear plant, and must be in heaven now.

That reminded me of the sensation I had felt in a Jacuzzi in California. I had never expected that I would experience an equally enraptured life here in Japan when I parted with it there. If I traveled back in time with a time machine, I could talk to my other self who was in despair on the flight to Japan from the States. I would say to her, “Years from now, you will get another chance to live in paradise!” I would tell her that she wouldn’t give up music and would have completed two songs back in Japan that had quality she had been craved for and entirely satisfied with. How easier the flight would’ve been if I had heard those words there. I was too hopeless to imagine so much as a speck of the possibility.

I always find myself foolish in hindsight whenever I look back later. There are tons of things I have to say to my past self beforehand. The question is, what would my future self tell me now if she looked at me taking the Jacuzzi here. Would she say, “Embrace the moment. It’s the pinnacle of your life”? Or would she say, “Prepare yourself. It’s just the beginning”? I desperately hope for the latter…

Episode from

The Singer-songwriter by Hidemi Woods

Kindle and Audiobook available at Amazon.com

I’ve heard some scientists and science-fiction writers say the average life expectancy of humans will get even longer fast and we could soon live up to 1000 years old. If it’s true, it’s a huge game changer. Supposing I live until 1000 years old, the shape of my life will be entirely different as of today.

First of all, the pace of living will get slower. I won’t have to hasten anything since I’ve still got more than 900 years left. I won’t fuss over the quick completion of my new song for which I’ve been deep into mastering. When I complete it without hurry, I will move on to another song and take plentiful time to finish it again. Even such a slow worker like me can stock ample songs in over 900 years.

With that duration of time and the number of songs, the odds can be better that one of my songs could be found by some chance and be a smash hit, which will make me a celebrity and lead me to Monaco to live in.

Secondly, I will be freed from fear of aging. I seriously resist getting old, sometimes quite hysterically. Of course no one likes to see their skin sagging and all wrinkled. But when I see my deteriorating looks, I feel a deadline for making my dreams come true. Getting older means getting closer to the deadline for whatever we haven’t yet achieved. The sense that we might not make it is dreadful if we have something to accomplish.

Now that the deadline is well over 900 years away, how peaceful I can feel for the moment! I don’t have to pronounce my dreams dead just yet. The day could come when I see people all around the world listen to and hum my songs. If I moved in Monaco at the age of 300, I could live there for almost 700 years.

In the course of 1000 years, it could become a common practice that a human body is replaced by a cyborg. Aging could be extinct. I could be a ballerina as I dreamed of when I was a child. Or, I would be the president of the united world when I’m 500 years old. As a simpler alternative, I could win the lottery before I die, since the odds turn good with the innumerable lotto strips I will get in over 900 years. That could give me a come-from-behind fortune. By making a smart investment of it, I could end my life as a team owner of Formula One.

It seems anything is possible once I have 1000 years. This rapture is weirdly familiar to me. My grandfather. He had the habit of saying he would live until 100 years old when I was little. Back then, not so many people lived so long and everyone of my family used to scoff at him. Although he couldn’t reach 100 but died at 96 years old, it was close enough to his fantasy goal. In that respect, I could go as far as 900.

But I noticed a long life expectancy is not necessarily all good. Life requires money. I’ve made ends meet with bare life so far in my life. As anything is possible, it’s also possible this state continues as long as I live. 1000 years of financial worries? It definitely sounds like a living hell…

Episode from

The Singer-songwriter by Hidemi Woods

Kindle and Audiobook available at Amazon.com

My work for the new song is drawing to a close and it’s in the mastering process now. I usually make the master track and leave it for a few days before the final check. The interval is essential for me because it gets me out of the zone, calms me down and gives me ears to listen objectively.

Since this particular new song of mine required difficult mastering, I had trouble with finding the solution. It took much longer than I had expected to make the master track. I finally got to make one and tried to forget all about it for a few days.

After the interval, I got so tense and excited that couldn’t sleep the night before the final check. What made me sleepless was the thought that on the very next day, I would finally end this painfully prolonged mastering and could see the song completed. I knew I needed a good night’s sleep for a good physical condition to make good judgement, but that pressure for all good kept me awake all the more.

I listened to the master track the next day carefully and objectively, and found one slight flaw. I was disappointed that it wasn’t the day. I had to correct it and hold the completion over. I repeated the process of mastering, taking an interval, having difficulty sleeping, and making the final check.

Then on the day I believed this would be the day of completion, I noticed one minor kink. I redid the process all over again. At the moment, I’m in this loop and can’t get out of it. I’m literally stuck in the mud of mastering.

I make it a custom to open champagne when a song is completed, which doesn’t happen often because I’m a slow worker. Completing a song is so infrequent that I celebrate with Moet Chandon. It’s my favorite but too expensive for me to drink except for New Year’s Eve. This time, I put it in the fridge months ago when I thought this song was completed at any moment. And it’s been there unopened for months, as I’m deeply caught in the mastering mire. Every time I open the fridge, I see Moet chilled so long and almost frozen up, blaming my prolonged work.

I keep declaring to my partner that today is the last day for this song, and retracting it at the end of the day. He doesn’t say anything but I feel his disappointment and anxiousness. As I’ve taken back my words of the completion so many times, I fear that he might see me as a useless liar who is just lingering slow work.

I can take as much time as I like in theory since the deadline doesn’t exist for the song. Even so, I’ve already spent five years working just on this song and it’s too long for a slow worker like me. That notion puts a lot of pressure on me to complete fast. It seems to me as if both Moet’s and my partner’s patience is running out.

Workdays have dragged on and on, and it has begun to eat me mentally. These days, when I finish my day’s work and tell my partner that the song hasn’t been completed again, I sense that he throws me a cold glance implying, “I thought so.” The other night, I had a dream in which I cried for joy because the song’s mastering went perfectly and it sounded flawless. The other day, when I failed to finish the song for umpteenth time, I was so irritated that I took it out on my partner and had a nasty dinnertime. In this anguish, winter ended and spring has come.

I’ve been correcting small parts that I’m not satisfied with, which hinders completion. The thing is, those parts are too small to be called flaws or even kinks. I’m certain nobody would notice when he or she listens to it. Then what am I doing? What am I chasing? I may have lost a definition for completion. What is completion, after all? I’ve asked basic questions to myself and the answer is the same. I just want what I’m entirely satisfied with. If I called anything other than that completion, it would be a lie. I would actually become a useless liar and be done for. I would rather be bogged down in this mud of searching for my perfection than that. So I go on, starting another loop yet again, while I keep crying completion to my partner, to myself, and to Moet Chandon…

Episode from

The Singer-songwriter by Hidemi Woods

Kindle and Audiobook available at Amazon.com