When You Wish Upon A Star hr660

About a month ago, out of the blue, an offer for an online guest appearance came to me from a Podcast talk show. Since appearing on any talk show in the world remotely is possible thanks to the Internet while I reside in Japan, I took the offer rather casually. However, the more I got to know about the show, the more dismal my decision looked.

The show broadcasts from New York not only on Podcast but also on YouTube which means people see me not just listen to me. The content is an hour-long, one-on-one interview with the host. Learning those, I was gradually getting into trouble. I am an expert of stage fright and get extremely nervous in front of people. I do have my own Podcast show, but only on the premise that no one could see me behind the microphone. I have a complex about my looks and I couldn’t imagine how nervous I would be if I appeared on the screen. I would get hyper-tense and my broken English would get even worse. I would become speechless in the middle of the show or maybe would pass out. The show would be a mess and ruined because of me. It would certainly end in disaster.

My first appearance as a guest on a local radio show happened when I was twenty years old. Although only my voice was on the air, I was so nervous that I actually soiled myself, which I summon all the courage to confess here for the first time. As more shame of mine, I usually get soaked with sweat whenever some neighbors happen to talk to me. My sweat keeps dripping down just for trifling chattering and even my native language Japanese got broken because I am keyed up too much. I am excessively self-conscious and afraid of how I look and how I sound at all times. I didn’t think such a person like me was able to speak properly in front of the camera. For the whole one month after the online interview was scheduled, I had been fretting and worried about the show. The worst case scenario had come over my mind so many times and convinced me that I should cancel it each time. On the other hand though, I knew it could be a one-in-a-million opportunity for me. As a nameless artist, receiving an offer for a guest appearance might never happen again in my life. It was too valuable to throw away since this could easily be the last chance I got. I decided to go through it after days of consideration and wavering. As the date was closing in, I had relived my life in elementary school where a vaccination was mandatory on a regular basis. Because I was terrified of needles, I didn’t want the scheduled day to come. As it came closer, I counted down the remaining time and hoped that day would pass in a flash or I would do a time warp to the next day of the injection. I even thought it would be better that the world ended before the shot. I had felt the same way until the interview finally arrived.

The interview started at 2 a.m. Japan time because of the time difference. I am a night person, but my brain has almost engaged in a sleep mode at 2 o’clock in the morning. Adding to that, a rash broke out due to lingering nerves. On top of that, I lost some weight and my stomach constantly growled because I had had a decrease in appetite since the interview was scheduled. I knew the microphone would pick up my stomach’s growling during the recording. The condition had never been worse. By the time the recording actually began, just to wrap up was all I wanted. 

In the end, I was elated enough to be conceited and talk large thanks to the excellent, compassionate host while it was so miserable that it was painful to watch or listen. As it turned out, I somehow felt good to talk about what I was thinking although my ever messy speaking conveyed merely half of what I really wanted to say. Above all, it was all done, and I didn’t soil myself this time.

I had always dreamed of getting on a talk show as a guest. Every time I watched a talk show on TV, I had secretly wished to be there someday since I was little. I used to imagine myself being asked questions and answering them on the screen. I would wonder what kind of feeling it would be seeing someone have interest in me. After so many years, I was unexpectedly blessed with an opportunity like this, which was quite magical considering the fact that I became neither famous nor rich. And I realized that my dream came true.

the happiest time in my life

An artist who has a contract with a major record company generally has a deadline for work. Due to the cost of studio use and the promotion schedule, they often need to finish recording in a couple of weeks. Sometimes, it requires compromise and the work results in what they didn’t want.

I, on the other hand, have no contract, no obligation, no bind. I’ve been working on the current song for seven years now, including two years of recording. These years have been the happiest time in my life, with contentment from work. I’m in an ideal position to pursue my music as much as I want, so to speak. I always wonder why people don’t live like this.

Of course, if they do, fame and money is almost certainly hopeless as is my case. I have no contract, no fame, no money, and call it ideal. Maybe I’m beginning to become a nutcase…

Episode From Surviving in Japan / Hidemi Woods

The Money Pit hr650

Photo by Min An on Pexels.com

I made up my mind to become a professional musician when I was eighteen living in Japan. I had imagined that the hardest thing to be one was to keep up better works by strengthening talent, which proved wrong. The hardest thing is money. Scraping up funds for activities as a musician without losing time and energy for music is most difficult. It’s equally the case for either an artist who has made a smash hit or the one who has been unsuccessful like me. And it has remained to be the case today after decades passed.
At the very beginning of my music career, I regularly rehearsed in a studio as a member of the band that strongly intended to become professional. It was the first serious band I had joined. I somehow managed to play well enough compared to other skillful members and didn’t get fired at the first session as I had feared. The band was based in Osaka that is a 45-minute ride by train from Kyoto where I lived. The studios the band used were all in Osaka, which meant I needed to pay the studio rental fee and the train fare each time. I was a college student back then, but barely went to class. Instead, I worked at the restaurant as a cashier and spent everything on the band. My time was dedicated to music and I came home just to sleep.
The studio was equipped with a synthesizer but I didn’t have my own although I constantly appealed my passion to become professional. It had gradually seemed odd that I used a rental synthesizer in every session while I tried to motivate other members to be professional as soon as possible. A thought that other members questioned my seriousness began to cross my mind as I continued to play with temporary sounds. Since we played our original songs, original sounds were necessary. On top of that, when I practiced back at home, I used the piano for a synthesizer that was quite ineffective as practice. I finally decided to get my own synthesizer. I chose the latest model at that time called Yamaha DX7 that was featured in almost all the pop songs and albums in the music business of 80s. It cost about 2500 dollars.
Before I joined the band, I had saved money out of my years’ allowances and was going to use that money to study English in England. The amount of my savings was about the same as the price of a DX7. I had put it in time deposit at the credit union bank for higher interest and for my friend just a few months before. That friend of mine had worked at the bank by giving up going to college because she needed to support her handicapped mother and two younger siblings when her father suddenly abandoned them. I wanted to help her in some way and set a time deposit through her with hope that it might raise her performance evaluation at the bank. Sadly, my rare good deed couldn’t last any longer. I went to the bank, apologized her a million times, and cancelled a time deposit. While she kept telling me with a smile “Don’t worry, don’t bother,” I was bathed in guilt, and yet I withdrew my savings and went on to get a DX7. I chose a DX7 over staying in England and being her friend.
After all, it was just the beginning of the long way that I have walked on until today. Since I decided to become a professional musician, I had lost my friends and my family not to mention a college degree as a dropout. What I gained instead are thousands of sleepless nights for worry about money. Even while I stay awake in the night yet again, I still believe that the happiest thing for a human is to fulfill one’s calling.

Free download of Kindle ebook! May29th-June2nd, ”The Singer-songwriter / Hidemi Woods”

My childhood diet was very healthy. That may be the reason why I was such a skinny kid, contrary to how I am today.
I was born in a farmer’s family in Kyoto, an old city in Japan. My family used to be almost self-sufficient. We mainly ate the leftover vegetables of eggplant and spinach that weren’t fit to be sold at the market because of flaws. We also planted rice and other vegetables such as onions, potatoes, carrots, radishes, burdocks and green peppers, not for sale but exclusively for our daily meals. We kept barnyard fowls that provided fresh eggs every morning. Our breakfasts and lunches were almost always row egg mixed with rice and soy sauce, pickled vegetables and too-weak miso soup.
A natural life may sound beautiful and relaxing, but it’s not in reality. Our fowls would holler screaming crows at dawn every day which would induce the clamorous barking of dogs in the neighborhood. Sometimes, one of our fowls that I named and fed every day like my pets was missing, and we had chicken on the table at dinner that evening. It took time for me to realize I was eating my pet fowl while I was worried about its whereabouts. Sometimes, I did witness my grandfather choked and plucked our fowl.
Since we didn’t have to buy vegetables, we had large servings at meals. Unfortunately, all vegetable meals of ours tasted horrible because we had to pay for seasonings or cooking oil and we were stingy enough to refrain them. Everything on our table was flavorless and bland. It never stimulated my appetite and I stayed skinny. As time passed, shops had been appearing in the rural area around our house. Also, my grandfather began to loosen his tight reign of the household and my mother had been able to have some discretion to go shopping and spend money. Our self-sufficiency was rapidly falling. Foods from outside tasted awesome. My appetite finally came out of its long hibernation. I was hooked by ham and mayonnaise in particular, and became chubby in no time.
Of all the terribly-tasted foods that my grandfather had long eaten, he picked yogurt as the worst. When he saw my sister eat it everyday, he asked for one out of curiosity. He said he had never had such an awful food in his life. After I left home for my music career and started living by myself in Tokyo, he often asked my father to take him to my apartment that was far from Kyoto. He wanted to see what was like to live alone there. My father didn’t feel like taking on such a bother for him and used a clever repelling. He told my grandfather that I was eating pizza everyday in Tokyo.
Of course he knew both that I wasn’t and that my grandfather didn’t know what pizza was. He explained to my grandfather that a food called pizza was oily round bread covered with sour sticky substance called cheese that was stringy and trailed threads to a mouth at every bite. And he added a threat, “You would eat that thing in her small apartment. Can you do that?” My grandfather replied in horror, “Why should I eat such a thing rotten enough to pull threads? I can’t ever go to Tokyo.” That pizza description cleanly stopped my grandfather’s repetitive request.
When I returned home for a visit once, my grandfather asked me a question at dinner time. Pointing the four corners of the dining room and drawing invisible lines in the air with his chopsticks, he said, “Your entire apartment is merely about this size, isn’t it?” As I replied it was about right, he asked, “How come you chose to do all what is necessary to live in such a small space and eat stringy rotten foods with threads although you have a spacious house and nice foods here? Is music worth that much? I don’t understand at all.” He looked unconvinced. As for me, while I had a certain amount of hardship, I had a far better life with tasty foods and freedom compared to the one that I had had in this house. Nevertheless, I didn’t utter those words. I said nothing and pour sake for him into his small empty cup, instead.

The Singer-songwriter: How a Japanese Girl Became an Artist / Hidemi Woods

New Kindle ebook was published! ‘The Singer-songwriter: How a Japanese Girl Became an Artist / Hidemi Woods’

My childhood diet was very healthy. That may be the reason why I was such a skinny kid, contrary to how I am today.
I was born in a farmer’s family in Kyoto, an old city in Japan. My family used to be almost self-sufficient. We mainly ate the leftover vegetables of eggplant and spinach that weren’t fit to be sold at the market because of flaws. We also planted rice and other vegetables such as onions, potatoes, carrots, radishes, burdocks and green peppers, not for sale but exclusively for our daily meals. We kept barnyard fowls that provided fresh eggs every morning. Our breakfasts and lunches were almost always row egg mixed with rice and soy sauce, pickled vegetables and too-weak miso soup.
A natural life may sound beautiful and relaxing, but it’s not in reality. Our fowls would holler screaming crows at dawn every day which would induce the clamorous barking of dogs in the neighborhood. Sometimes, one of our fowls that I named and fed every day like my pets was missing, and we had chicken on the table at dinner that evening. It took time for me to realize I was eating my pet fowl while I was worried about its whereabouts. Sometimes, I did witness my grandfather choked and plucked our fowl.
Since we didn’t have to buy vegetables, we had large servings at meals. Unfortunately, all vegetable meals of ours tasted horrible because we had to pay for seasonings or cooking oil and we were stingy enough to refrain them. Everything on our table was flavorless and bland. It never stimulated my appetite and I stayed skinny. As time passed, shops had been appearing in the rural area around our house. Also, my grandfather began to loosen his tight reign of the household and my mother had been able to have some discretion to go shopping and spend money. Our self-sufficiency was rapidly falling. Foods from outside tasted awesome. My appetite finally came out of its long hibernation. I was hooked by ham and mayonnaise in particular, and became chubby in no time.
Of all the terribly-tasted foods that my grandfather had long eaten, he picked yogurt as the worst. When he saw my sister eat it everyday, he asked for one out of curiosity. He said he had never had such an awful food in his life. After I left home for my music career and started living by myself in Tokyo, he often asked my father to take him to my apartment that was far from Kyoto. He wanted to see what was like to live alone there. My father didn’t feel like taking on such a bother for him and used a clever repelling. He told my grandfather that I was eating pizza everyday in Tokyo.
Of course he knew both that I wasn’t and that my grandfather didn’t know what pizza was. He explained to my grandfather that a food called pizza was oily round bread covered with sour sticky substance called cheese that was stringy and trailed threads to a mouth at every bite. And he added a threat, “You would eat that thing in her small apartment. Can you do that?” My grandfather replied in horror, “Why should I eat such a thing rotten enough to pull threads? I can’t ever go to Tokyo.” That pizza description cleanly stopped my grandfather’s repetitive request.
When I returned home for a visit once, my grandfather asked me a question at dinner time. Pointing the four corners of the dining room and drawing invisible lines in the air with his chopsticks, he said, “Your entire apartment is merely about this size, isn’t it?” As I replied it was about right, he asked, “How come you chose to do all what is necessary to live in such a small space and eat stringy rotten foods with threads although you have a spacious house and nice foods here? Is music worth that much? I don’t understand at all.” He looked unconvinced. As for me, while I had a certain amount of hardship, I had a far better life with tasty foods and freedom compared to the one that I had had in this house. Nevertheless, I didn’t utter those words. I said nothing and pour sake for him into his small empty cup, instead.

made an origami crane with a tiny sheet of paper

My relative’s home where I mistook my grandmother’s uncle for a kidnapper was the place that my grandmother had lived in mostly until she got married. Her mother was a geisha and died right after her birth. As she didn’t have a father, her mother’s parents took her in and raised her at their home. When I visited there as a child, her mother’s brother had succeeded the family. Her mother’s brother, or my grandmother’s uncle, who is the one that took me to the secret place, was a medal-awarded artist for Japanese lacquer. He had a studio beside the house and his young son invited me in. There, his son made an origami crane with a tiny sheet of paper merely half an inch square and gave it to me. I felt like I watched magic. His older son was an architect. So, the lineage of my grandmother on my mother’s side is abundant in artistic people. When I left home to pursue a career as a musician, my grandfather approved and let me go despite of my parents’ opposition. But a few years later, he realized that I had been determined and wouldn’t come home to succeed the family. He began to blame my mother. He thought I became a musician because of part of my blood, which came from my mother’s side that had a geisha in the lineage…

Maybe I’m beginning to become a nutcase

An artist who has a contract with a major record company generally has a deadline for work. Due to the cost of studio use and the promotion schedule, they often need to finish recording in a couple of weeks. Sometimes, it requires compromise and the work results in what they didn’t want. I, on the other hand, have no contract, no obligation, no bind. I’ve been working on the current song for seven years now, including two years of recording. These years have been the happiest time in my life, with contentment from work. I’m in an ideal position to pursue my music as much as I want, so to speak. I always wonder why people don’t live like this. Of course, if they do, fame and money is almost certainly hopeless as is my case. I have no contract, no fame, no money, and call it ideal. Maybe I’m beginning to become a nutcase…

dread anyway whether it sells or not

My sister always wanted to be a writer but she has settled for being a local government employee. In a dream I had the other night, my sister said, “I haven’t written anything because I dread that my work won’t sell.” And I replied, “Even if it sold, you would dread that your next work wouldn’t sell while people around you expect a great deal. So, you dread anyway whether it sells or not.” I woke up and was marveled at what I said in there. In my real life, I’ve never thought that way while I’m craving success in my music career where nothing has sold. I heard my subconscious talk in the dream. That made me think. If I dread either way, it’s meaningless to be disappointed at myself who is still an unknown or to be impatient to make a hit. In fact, too many artists with a big hit got caught by alcohol or drugs and died young. As an artist, it’s ideal to create music at my own pace without any pressure and hold on. Having said that, I can’t shake off a stupid desire to make a big hit and show off at a high school reunion in front of my old friends who ended up housewives…