I don’t remember her name..

While taking a bath or a shower, I listen to a CD on a shuffle mode. I can’t help feeling my most favorite song is most seldom played. The least favorites are always selected. Does a player sense my taste and play a trick? Have you ever felt that way, or just me?

 

I worked at Tokyo Disneyland long time ago. One of the workers at McDonald’s near my home looks like my then supervisor. This morning I went there and I saw her again. Her face looks so familiar to me. Is she her or not? I can’t ask her as I don’t remember her name..

Episode From Surviving in Japan / Hidemi Woods

Audiobook : Japanese Dream by Hidemi Woods On Sale at online stores or apps. Apple, Audible, Google Play, Nook Audiobooks,  43 available distributors in total

It was so funny, ironic, stupid and joyful

Photo by Dmitry Demidov on Pexels.com

When I decided to go back to the mix down
from the mastering of our new song in order to
boost its overall volume, I prepared to take a
few more months to complete it.
Once I accepted the delay and released
myself from constraint called time, things
presented a new twist. I had compared the
volume of our song to other CDs with the
stereo components. Our song came from the
computer through the line-in of the stereo,
which meant I compared the line-in sound to
CDs. Before going back to the mix down, I
burned the song to a CD as a low-volume
version because except for the volume, the
mastering went perfectly.
It happened when I checked the sound of
the CD. The volume was as high as other CDs!
It had been indeed boosted already during the
mastering. I just compared it in a wrong way
through the line-in. I had been struggling with
the volume for a couple of months based on
my false judgement.
When I heard our song at the right volume, I
found out how silly I was and laughed out loud.
At the same time, I burst into tears for
indescribable joy. The only remaining problem
to complete this song was the volume. Now
that the volume was boosted, the song’s
completion was within my grasp.
Looking up at the ceiling of my room, I was
loudly laughing, crying, then laughing, and
again crying, with tears falling down. It was so
funny, ironic, stupid and joyful…

Episode From Surviving in Japan / Hidemi Woods

Audiobook : Japanese Dream by Hidemi Woods On Sale at online stores or apps. Apple, Audible, Google Play, Nook Audiobooks,  43 available distributors in total

money pit

I’ve been working for mastering of our new
song for some time now. I still can’t get it up
to my satisfaction though, after using
everything I’ve got. I successfully made the
sound itself exactly what I’d wanted. The only
problem is the volume. I tried countless
compressors and limiters, read a book on the
subject and looked it up around on the
Internet with no luck. Our song stays in low
volume compared to other CDs.
The other day, I found mastering software
that many engineers regard as an ultimate
volume booster. It looked attractive, but it was
quite pricey. It was my decision whether I
bought it or took our song to a studio engineer.
I just wanted to try the software and go
through with the mastering so badly. I decided
to try to the best of my ability and then, after
it became certain that I couldn’t, turn to a
professional. I bought the software.
Now, the road to a goal is one, only the
ending will be either the software or the studio.
I’ve known that completing a song takes time,
but music also can be a money pit…

Episode From Surviving in Japan / Hidemi Woods

Free download of Kindle ebook! July23rd-27th “The New Stage of One Singer-songwriter in Japan: new song, moving and stay alive without giving up / Hidemi Woods”

When I decided to go back to the mix down from the mastering of our new song in order to boost its overall volume, I prepared to take a few more months to complete it.
  Once I accepted the delay and released myself from constraint called time, things presented a new twist. I had compared the volume of our song to other CDs with the stereo components. Our song came from the computer through the line-in of the stereo, which meant I compared the line-in sound to CDs. Before going back to the mix down, I burned the song to a CD as a low-volume version because except for the volume, the mastering went perfectly.
  It happened when I checked the sound of the CD. The volume was as high as other CDs! It had been indeed boosted already during the mastering. I just compared it in a wrong way through the line-in. I had been struggling with the volume for a couple of months based on my false judgement.
  When I heard our song at the right volume, I found out how silly I was and laughed out loud. At the same time, I burst into tears for indescribable joy. The only remaining problem to complete this song was the volume. Now that the volume was boosted, the song’s completion was within my grasp.
  Looking up at the ceiling of my room, I was loudly laughing, crying, then laughing, and again crying, with tears falling down. It was so funny, ironic, stupid and joyful…

The New Stage of One Singer-songwriter in Japan: new song, moving and stay alive without giving up / Hidemi Woods

Free download of Kindle ebook! May29th-June2nd, ”The Singer-songwriter / Hidemi Woods”

My childhood diet was very healthy. That may be the reason why I was such a skinny kid, contrary to how I am today.
I was born in a farmer’s family in Kyoto, an old city in Japan. My family used to be almost self-sufficient. We mainly ate the leftover vegetables of eggplant and spinach that weren’t fit to be sold at the market because of flaws. We also planted rice and other vegetables such as onions, potatoes, carrots, radishes, burdocks and green peppers, not for sale but exclusively for our daily meals. We kept barnyard fowls that provided fresh eggs every morning. Our breakfasts and lunches were almost always row egg mixed with rice and soy sauce, pickled vegetables and too-weak miso soup.
A natural life may sound beautiful and relaxing, but it’s not in reality. Our fowls would holler screaming crows at dawn every day which would induce the clamorous barking of dogs in the neighborhood. Sometimes, one of our fowls that I named and fed every day like my pets was missing, and we had chicken on the table at dinner that evening. It took time for me to realize I was eating my pet fowl while I was worried about its whereabouts. Sometimes, I did witness my grandfather choked and plucked our fowl.
Since we didn’t have to buy vegetables, we had large servings at meals. Unfortunately, all vegetable meals of ours tasted horrible because we had to pay for seasonings or cooking oil and we were stingy enough to refrain them. Everything on our table was flavorless and bland. It never stimulated my appetite and I stayed skinny. As time passed, shops had been appearing in the rural area around our house. Also, my grandfather began to loosen his tight reign of the household and my mother had been able to have some discretion to go shopping and spend money. Our self-sufficiency was rapidly falling. Foods from outside tasted awesome. My appetite finally came out of its long hibernation. I was hooked by ham and mayonnaise in particular, and became chubby in no time.
Of all the terribly-tasted foods that my grandfather had long eaten, he picked yogurt as the worst. When he saw my sister eat it everyday, he asked for one out of curiosity. He said he had never had such an awful food in his life. After I left home for my music career and started living by myself in Tokyo, he often asked my father to take him to my apartment that was far from Kyoto. He wanted to see what was like to live alone there. My father didn’t feel like taking on such a bother for him and used a clever repelling. He told my grandfather that I was eating pizza everyday in Tokyo.
Of course he knew both that I wasn’t and that my grandfather didn’t know what pizza was. He explained to my grandfather that a food called pizza was oily round bread covered with sour sticky substance called cheese that was stringy and trailed threads to a mouth at every bite. And he added a threat, “You would eat that thing in her small apartment. Can you do that?” My grandfather replied in horror, “Why should I eat such a thing rotten enough to pull threads? I can’t ever go to Tokyo.” That pizza description cleanly stopped my grandfather’s repetitive request.
When I returned home for a visit once, my grandfather asked me a question at dinner time. Pointing the four corners of the dining room and drawing invisible lines in the air with his chopsticks, he said, “Your entire apartment is merely about this size, isn’t it?” As I replied it was about right, he asked, “How come you chose to do all what is necessary to live in such a small space and eat stringy rotten foods with threads although you have a spacious house and nice foods here? Is music worth that much? I don’t understand at all.” He looked unconvinced. As for me, while I had a certain amount of hardship, I had a far better life with tasty foods and freedom compared to the one that I had had in this house. Nevertheless, I didn’t utter those words. I said nothing and pour sake for him into his small empty cup, instead.

The Singer-songwriter: How a Japanese Girl Became an Artist / Hidemi Woods

Early 80s – The Beginning of My Music Career hr641

I started to think about becoming a singer-songwriter in the beginning of 1980’s when I still lived in my hometown of Japan where I was born and grew up. By the end of the first month as a college student, I had lost interest in a college life since I didn’t care about getting a degree or being hired by a renowned company after graduation. A college had turned into an unnecessary place for me because of music. Only I tried to follow the footsteps of a Japanese band that I had admired most. Before they became professional, they started their careers by forming bands at universities and colleges where they were enrolled. I tried to do the same. As I had easily known, I found nobody in my college all of which students were women and most of which students attended as preparations for homemaking and marrying a doctor. I searched other universities for band members, for which I used my otherwise wasteful college life.
At that time, PCs or smartphones were yet to come. Even CDs didn’t exist. To listen to music, you needed to buy a record, put it on a turn table of a stereo carefully and gingerly not to scar the record surface, put down a record needle softly onto the start groove, and wait for music to begin while watching the record turning fast. The moment music started, the space shifted in a flash from where you had been. That was the essence I used to feel with a record. The sound of an analog record is different from the digitalized CD’s one. I feel the former round and deep that vibrates and seeps into the heart. Both Western and Japanese rock music I had listened to back then conveyed something to inspire like a struggle for life or for freedom. I’ve seen quite a few people whose life was actually changed by music.
A record has been given way to a CD, and then to download and streaming. On the making side, recording on a tape by physical instruments has turned more and more into entering data on a computer by software. The sound has become mechanical with copying and pasting. Having an impact is valued more than being dramatic. I hadn’t the slightest idea this kind of music scene would arrive in the future when I lived the beginning of 80’s. I simply had believed that music could change the world and save someone by healing a sore heart just as it did to me. While the music scene did change, my belief remains unchanged. I’ve been striving to make music by taking advantage of the digital side into inspiring songs.
Back in the eighties, I was trying to form a band to have my songs heard as soon as I started a college. I came across a bulletin board of a band circle at one university that was recruiting new members. I went to the meeting where many freshmen gathered. The circle leaders were matching a new member to an existent band according to which part the new comer played and which part the band needed. Because I intended to join a professional-aiming, high-grade band, I pitched earnestly my skills of writing songs, singing, playing the keyboard and the guitar, and most especially, my passion for music. The person who interviewed me said outright that there was no available band for me to join. While I was preparing to leave, I noticed that other freshmen got assigned to a band one after another. They all said they had no skills or had never played an instrument, except that they all were cute and had a flirty smile. Again, my passionate, serious attitude backfired there too, as if it foretold my subsequent music career. I learned that bands at Japanese universities and colleges in 80’s were for those who just wanted to enjoy a campus life not for those who sought a music career.
I was excluded from campus musicians and couldn’t use my college life for member hunting. As a college has become useless to me more than ever, I was sent outside the campus to look for a member in the real world.

long way to go

I finished the mix down of our new song today. That means the song at long last got completed. I had worked on this song for seven years. I put into this song everything I have, everything I want to say to this world, and everything I’ve felt in my life. So, I’m virtually done. I celebrated with a bottle of sparkling wine instead of champagne that is too expensive for me. When opening the bottle, the plastic cork rocketed to the ceiling and made a mark. Still, the project is far from being over. I need to burn it on CDs, save it in several different kinds of format, and archive the data. I can see a long way to go before I get a sense of achievement…

 

Episode From Surviving in Japan / Hidemi Woods

It was so funny, ironic, stupid and joyful…

When I decided to go back to the mix down from the mastering of our new song in order to boost its overall volume, I prepared to take a few more months to complete it. Once I accepted the delay and released myself from constraint called time, things presented a new twist. I had compared the volume of our song to other CDs with the stereo components. Our song came from the computer through the line-in of the stereo, which meant I compared the line-in sound to CDs. Before going back to the mix down, I burned the song to a CD as a small-volume version because except for the volume, the mastering went perfectly. It happened when I checked the sound of the CD. The volume was as large as other CDs! It had been indeed boosted already during the mastering. I just compared it in a wrong way through the line-in. I had been struggling with the volume for a couple of months based on my false judgement. When I heard our song at the right volume, I found out how silly I was and laughed out loud. At the same time, I burst into tears for indescribable joy. The only remaining problem to complete this song was the volume. Now that the volume was boosted, the song’s completion was within my grasp. Looking up at the ceiling of my room, I was loudly laughing, crying, then laughing, and again crying, with tears falling down. It was so funny, ironic, stupid and joyful…

music can be a money pit

I’ve been working for mastering of our new song for some time now. I still can’t get it up to my satisfaction though, after using everything I’ve got. I successfully made the sound itself exactly what I’d wanted. The only problem is the volume. I tried countless compressors and limiters, read a book on the subject and looked it up around on the Internet with no luck. Our song stays in low volume compared to other CDs. The other day, I found mastering software that many engineers regard as an ultimate volume booster. It looked attractive, but it was quite pricey. It was my decision whether I bought it or took our song to a studio engineer. I just wanted to try the software and go through with the mastering so badly. I decided to try to the best of my ability and then, after it became certain that I couldn’t, turn to a professional. I bought the software. Now, the road to a goal is one, only the ending will be either the software or the studio. I’ve known that completing a song takes time, but music also can be a money pit…