It was so funny, ironic, stupid and joyful…

When I decided to go back to the mix down from the mastering of our new song in order to boost its overall volume, I prepared to take a few more months to complete it. Once I accepted the delay and released myself from constraint called time, things presented a new twist. I had compared the volume of our song to other CDs with the stereo components. Our song came from the computer through the line-in of the stereo, which meant I compared the line-in sound to CDs. Before going back to the mix down, I burned the song to a CD as a small-volume version because except for the volume, the mastering went perfectly. It happened when I checked the sound of the CD. The volume was as large as other CDs! It had been indeed boosted already during the mastering. I just compared it in a wrong way through the line-in. I had been struggling with the volume for a couple of months based on my false judgement. When I heard our song at the right volume, I found out how silly I was and laughed out loud. At the same time, I burst into tears for indescribable joy. The only remaining problem to complete this song was the volume. Now that the volume was boosted, the song’s completion was within my grasp. Looking up at the ceiling of my room, I was loudly laughing, crying, then laughing, and again crying, with tears falling down. It was so funny, ironic, stupid and joyful…

music can be a money pit

I’ve been working for mastering of our new song for some time now. I still can’t get it up to my satisfaction though, after using everything I’ve got. I successfully made the sound itself exactly what I’d wanted. The only problem is the volume. I tried countless compressors and limiters, read a book on the subject and looked it up around on the Internet with no luck. Our song stays in low volume compared to other CDs. The other day, I found mastering software that many engineers regard as an ultimate volume booster. It looked attractive, but it was quite pricey. It was my decision whether I bought it or took our song to a studio engineer. I just wanted to try the software and go through with the mastering so badly. I decided to try to the best of my ability and then, after it became certain that I couldn’t, turn to a professional. I bought the software. Now, the road to a goal is one, only the ending will be either the software or the studio. I’ve known that completing a song takes time, but music also can be a money pit…