bitter disappointment

Although I’m not interested in MLB at all, I had a dream of the Mariners’ Ichiro Suzuki the other night. Personally, I don’t like him because he’s exhorting something pompously every time I see him on TV. But in my dream, I won a prize of spending a day with him and unwillingly met him. As the day went on, I began to have fun. Being with him got merrier and happier, and eventually I shouted I’ve never been this happy in my life! I wished strongly that this moment would last forever while clinging to his arm. When the day was over and the time to say goodbye came, he said he would get in touch with me on his next visit to Japan. Out of curiosity, I asked him what the chances of his calling me were, feeling sure that he would say 100 percent since he looked happy with me as well all day long. But, his answer was 30 percent. I was surprised at the unexpectedly low odds. I felt so disappointed I had only a 30-percent chance to have such a great time like today. And, I woke up.

   I sprang to a sitting position on the bed, as I was shocked it was a dream, not a reality. Now that it was a dream, the chance of repeating the wonderful day had dropped from 30 percent to zero. Amid bitter disappointment, I was also disappointed at myself. In the dream, I received VIP treatment everywhere I went with Ichiro. He appeared as a symbol of fame and fortune, and I physically clung to his arm. I boast that I’ve got over the lust for fame and fortune long before. If so, why was I extremely happy in the dream…?

Episode From Surviving in Japan / Hidemi Woods

Audiobook : Japanese Dream by Hidemi Woods On Sale at online stores or apps. Apple, Audible, Google Play, Nook Audiobooks,  43 available distributors in total

When You Wish Upon A Star hr660

About a month ago, out of the blue, an offer for an online guest appearance came to me from a Podcast talk show. Since appearing on any talk show in the world remotely is possible thanks to the Internet while I reside in Japan, I took the offer rather casually. However, the more I got to know about the show, the more dismal my decision looked.

The show broadcasts from New York not only on Podcast but also on YouTube which means people see me not just listen to me. The content is an hour-long, one-on-one interview with the host. Learning those, I was gradually getting into trouble. I am an expert of stage fright and get extremely nervous in front of people. I do have my own Podcast show, but only on the premise that no one could see me behind the microphone. I have a complex about my looks and I couldn’t imagine how nervous I would be if I appeared on the screen. I would get hyper-tense and my broken English would get even worse. I would become speechless in the middle of the show or maybe would pass out. The show would be a mess and ruined because of me. It would certainly end in disaster.

My first appearance as a guest on a local radio show happened when I was twenty years old. Although only my voice was on the air, I was so nervous that I actually soiled myself, which I summon all the courage to confess here for the first time. As more shame of mine, I usually get soaked with sweat whenever some neighbors happen to talk to me. My sweat keeps dripping down just for trifling chattering and even my native language Japanese got broken because I am keyed up too much. I am excessively self-conscious and afraid of how I look and how I sound at all times. I didn’t think such a person like me was able to speak properly in front of the camera. For the whole one month after the online interview was scheduled, I had been fretting and worried about the show. The worst case scenario had come over my mind so many times and convinced me that I should cancel it each time. On the other hand though, I knew it could be a one-in-a-million opportunity for me. As a nameless artist, receiving an offer for a guest appearance might never happen again in my life. It was too valuable to throw away since this could easily be the last chance I got. I decided to go through it after days of consideration and wavering. As the date was closing in, I had relived my life in elementary school where a vaccination was mandatory on a regular basis. Because I was terrified of needles, I didn’t want the scheduled day to come. As it came closer, I counted down the remaining time and hoped that day would pass in a flash or I would do a time warp to the next day of the injection. I even thought it would be better that the world ended before the shot. I had felt the same way until the interview finally arrived.

The interview started at 2 a.m. Japan time because of the time difference. I am a night person, but my brain has almost engaged in a sleep mode at 2 o’clock in the morning. Adding to that, a rash broke out due to lingering nerves. On top of that, I lost some weight and my stomach constantly growled because I had had a decrease in appetite since the interview was scheduled. I knew the microphone would pick up my stomach’s growling during the recording. The condition had never been worse. By the time the recording actually began, just to wrap up was all I wanted. 

In the end, I was elated enough to be conceited and talk large thanks to the excellent, compassionate host while it was so miserable that it was painful to watch or listen. As it turned out, I somehow felt good to talk about what I was thinking although my ever messy speaking conveyed merely half of what I really wanted to say. Above all, it was all done, and I didn’t soil myself this time.

I had always dreamed of getting on a talk show as a guest. Every time I watched a talk show on TV, I had secretly wished to be there someday since I was little. I used to imagine myself being asked questions and answering them on the screen. I would wonder what kind of feeling it would be seeing someone have interest in me. After so many years, I was unexpectedly blessed with an opportunity like this, which was quite magical considering the fact that I became neither famous nor rich. And I realized that my dream came true.

how little I could do

Photo by Teresa Howes on Pexels.com

The other night, I had a dream about joining
the military. I was going through various kinds
of training and failed each one of them. As I
couldn’t do any physical activities, the training
officer asked me if I could cook or wash. I
answered honestly I couldn’t do either. The
officer asked my former profession and I told
him that I was a singer-songwriter. He
suggested me to be in the entertainment
division, but I refused because I didn’t like to
perform in front of people. There was nothing I
could do. Then, for some reason, I was
deployed to Afghanistan. And I woke up.
It was a wild dream but the part that I
couldn’t do anything satisfactorily was a fact.
Getting out of bed, I realized again how little I
could do. It’s a wonder I still survive in this
world…

Episode From Surviving in Japan / Hidemi Woods

Audiobook : Japanese Dream by Hidemi Woods On Sale at online stores or apps. Apple, Audible, Google Play, Nook Audiobooks,  43 available distributors in total

They were hovering right in front of the window

I saw God for the first time in my dream the
other day.
I was preparing for work in my room. I
looked out the window and noticed three small
dots in the cloudy sky. While I was figuring out
whether they were aircraft or UFOs, the three
black dots were getting bigger and bigger as
they were coming closer.
They were flying with tremendous speed
toward my window and I recognized each dot
was in the shape of a human. The two of them
were leading the way for the third one that
was flying a little behind them. I was extremely
frightened and covered my eyes. Even so, I felt
an urge to see them and opened my eyes.
They were hovering right in front of the
window.
As soon as I saw them, I clearly understood,
or was told somehow, that the two human-
shaped things at the front were angels and the
also human-shaped one in the middle behind
was God. In this dream, God was Jesus at the
same time. Their looks were so different from
my imagination. None of them had wings nor
was wearing white. All of them were quite
young with black hair, wearing black hooded
coats. They were flying just by themselves,
with their arms lightly forward and their knees
slightly bent.
I was completely awed and fearful.
God/Jesus was looking straight into my eyes
with a serious gaze while hovering. Then, He
turned and flew away with His angels high up
in the sky. When they disappeared, my mother
came into my room. I told her what had just
happened but she showed no interest. Instead,
she asked me to let her hear our new song.
The moment I pushed a play button, I woke
up.
Later on the same day, totally unexpectedly,
our new song had been finished at long last.

Episode From Surviving in Japan / Hidemi Woods

Audiobook : Japanese Dream by Hidemi Woods On Sale at online stores or apps. Apple, Audible, Google Play, Nook Audiobooks,  43 available distributors in total

The Katsura River hr658

Back in those days of my childhood, a person who was going to commit suicide always took his or her shoes off and put them together neatly before jumping from the top of the building on Japanese TV dramas. It seemed Japanese people wanted to take off their shoes even when they tried to kill themselves just as they took them off at the entrance of the house. I somehow feel convinced.

There is a bridge called Katsura-ohashi Bridge over the Katsura River about a twenty-minute walk away from my family’s house that used to stand in Kyoto where I was born and grew up. The bridge is about 400-feet long as the river under it is quite big and wide. On one summer day in the fourth grade, I went to the bridge with seven or eight friends of mine to play by the Katsura River. Because it was probably the first time each of us played at the riverside without a grown-up chaperon, the outing was felt like an adventure and we were having so much fun by the river.

After a little while, one of my friends seemed to have enough spree to suggest we walk in the river along the bridge piers  toward the opposite bank. It was midsummer and the river banks had widened with less water. To us, the river looked shallow and easy to walk in and go further. Since we were all feeling adventurous, we persuaded ourselves that a fourth grader was a big, old kid for whom crossing the river on foot was a cinch. We started splashing across the current with a war cry.

In the beginning we were only ankle-deep in water, but soon water reached to our knees. Our walking speed dropped tremendously. By the time our thighs dipped in water, the stream got fast. It was hard just to stand still without holding onto a bridge pier although we had trod across merely one third of the river. The fast stream crushed against the bridge pier and my thighs, splashing big waves. Suddenly, fear sprang out from the bottom of my guts and yelled at me, “You’re in real trouble! You can’t possibly move ahead. What if you get swept away? Not to mention the opposite bank, you’ll drown to death right here!” Panic engulfed me. I looked back to return, but I was too scared to move, feeling that with this one step I was going to be carried away by the current. There was no way either to go forward or to go backward. I was stuck in the middle of the strong current. Thinking that wasn’t what was supposed to go, I looked around other kids. They also had stopped walking with a scared face just as I did. As if a tacit agreement, we slowly tried and managed to move backwards. When we finally returned to the riverbank where we had set off, our spree had thoroughly gone. Dejected in heart, without talking, we plodded our way home.

About ten years later, I was looking at the Katsura River again from the edge of Katsura-ohashi Bridge after taking off my shoes and putting them together neatly. It was when over a year had passed since I started my career as a musician despite dissent from my parents and friends. Although I had tried harder than I had ever done before, nothing had worked. On the other hand, I didn’t want to live doing what I didn’t want to do. I was stuck without either way to go forward or to go backward, again. I leaned over the parapet and stared at the surface of the river, seriously intending to jump into it. Then, something came into view. I saw three ducks swimming out from under the bridge. They stopped right down below me and just floated there. I vaguely thought I might strike and kill them when I jumped and hit the surface. All of a sudden, that thought drove me out of a daze. I came to my senses and pulled myself back away from the railing. Until that point, the world around me had been completely silent, but noises came back to my ears all at once. I noticed some cars honked at me while passing by. I hurriedly put back on my shoes.

You should challenge at the risk of your life if you wish to fulfill your dreams. Only after you brace yourself for death, can you live your own life. To attain that understanding, I had had to do a few more suicidal attempts in the course of my life. I understood after all and keep challenging, thankfully. 

My Robot Band hr657

Photo by Kindel Media on Pexels.com

Year of 1984 was one of the bitterest years of my life and also a major turning point. After I was able to join the band of a locally acclaimed young man, the band had been striving to become professional in Osaka, which is the biggest city in the western Japan. While I had unwavering confidence in the songs we wrote, we constantly had difficulty in finding desirable members. Except for him and me, other members had come and gone, and we couldn’t materialize our ideal sound with any of them. Even a gig was almost impossible with just two of us being permanent members.

My partner and I couldn’t waste any more time searching for apt band members who shared similar passion as ours and played exactly how we wanted. As the solution, we came up with the idea to use a rhythm machine and a sequencer in place of human members. Those gadgets were the cutting edge of music instruments at the time and had just appeared on the market. We thought they would be perfect band members who realized our sound as we requested because we were the ones that put data into them. We weren’t sure about the passion side of machines, but at least they would commit and wouldn’t quit like humans did. Because personal computers were still in the floppy disk era and not strong enough for music, we connected a rhythm machine, a sequencer and synthesizers with cables to play a gig. Added to the machines, I was on the keyboard and vocals, and my partner was on the guitar and vocals. There formed my robot band.

Although it had seemed perfect, we faced quite a few obstacles to play in the band with machines. Let alone it cost heftily and carrying them around by two of us without a car was a daunting physical challenge each time, it took enormous time to enter the whole data of our songs into them. As thumb drives or hard disk drives were yet to come, we needed to record special signals sounding like ‘beeeeep, bip, beep, bip, beep’ into a cassette tape to save the data. The data consumed one cassette tape per song, not at one go although the signals were long. I once inadvertently tripped on one of the cables which erased the whole data that I had spent all night inputting. The worse troubles awaited us at the gig. The innumerable necessary cables and cords made setting and preparation for my band far more complicated and time-consuming than other bands. One single wrong connection would break synchronization. On one occasion, the machines didn’t start and we couldn’t play but stood still on stage because one of the stage staff pulled out one cable by mistake. On another occasion, one of the machines suddenly uttered “Pi!” and went silent in the middle of playing. Furthermore, I needed to put a specific setting for each song on the several keyboards during every interval between our songs. Because the stage usually went dark between songs, it wasn’t easy to see the correct buttons and switches on my keyboards. A stage staff person once came up on the stage to help me with the setting by lighting over my keyboards with his lighter. The venue strictly banned any use of fire and he was harshly reprimanded for that afterwards because of me. Through those unpredictable chilling experiences, I basically feared every time if songs would start without hitches instead of enjoying gigs whenever I was on stage.

Still, harder trials existed. Other bands mostly consisted of college students who played as a hobby not for a career. Their attitude toward music was incredibly easygoing and they were just having fun on stage. Their songs were frivolous likewise. Yet, they were able to draw a large audience since they had friends on the campus so that their gig was usually a big hit with a livened up crowd. On the other hand, my band was just two people standing surrounded by numerous instruments and machines, and singing serious lyrical songs. Because we didn’t have friends to gather, the audience were strangers who had no interest in our playing and just waited for our gig to end.

That was also the case when we took part in a live contest. To make matters worse, a contest was sometimes fixed where the winner had already been decided. As I didn’t know that the contest was only held to give that winner the credential before the label signed a contract with the prearranged winner, I was appalled when we lost to a really bad but pretty singer.

I had gotten to loathe live performance by those experiences. Not just loathe it, but I had gotten to break out in a cold sweat on gigs. Since then, we have performed live less and less and have done none these days. I guess that shows how much I learned the hard way. To this day, the nightmares I have most are that I am playing on stage. However, my robot band has been transformed since it got off stage. The machines turned into a personal computer with software who has been my important partner to create my music. Thanks to it, I have been able to embody exactly what sounded in my head. A long period of time later, my robot band eventually made my dream come true.