No Other Choice hr647

I chose music as my lifelong carrier when I was a college student. The first thing I got down to was to form a band. After I realized I couldn’t find band members at nearby universities because students played music just for fun, I expanded my search to the general public. Until then, the whole world I had been familiar with was the small hamlet where I was born and grew up and the schools I went to. I was about to tread on to the unknown, new world.
It was early 80’s when neither the Internet nor SNS had existed yet. The common way to find band members back then was recruitment columns on dozens of pages in a monthly music magazine. When you found someone appealing to you, you would contact him or her by a double postcard to receive a reply. I narrowed down to two postings for a candidate band. As I couldn’t figure out which one was better, I asked my mother out of curiosity. She glanced at each posting and without much attention picked one which address indicated a good residential district. Neither she nor I ever imagined that casual pick would have changed the course of life of mine, my parents’ and of the one who posted the recruitment message. From that point, inexplicable passion moved me in fast forward mode. I jumped on my bike, rushed to the post office to get a double postcard on which I scribbled enthusiastic self promotion on the spot, and mailed it.
A few days later I received the reply card with the phone number on it. We talked over the phone and set up the meeting in Osaka where he lived. Osaka is the big city located next to Kyoto where I lived. It took me about a 15-minute bike ride to the train station plus s 45-minute ride on the express train, which was quite a travel for me who was a farmer’s daughter in the small village of Kyoto. Adding to that going to the big city alone was so nervous in itself, the one whom I was going to meet was a boy. I had hardly talked to boys of my generation since I went to girls’ school from junior high to college. That all felt like a start of my adult life.
Before I set out for Osaka though, there was a problem. I needed to make s demo tape of my songs for the meeting where we were to exchange demos. When he talked over the phone about the exchange of demo tapes, I said “Exchanging demos? Sure, it’s a matter of course!,” which I found myself in a cold sweat to be honest. I had only one song on a tape that I had made for an audition. All other songs of mine were on paper as it was before the era of hard disc recording by a computer. The gadgets for a demo I had were a radio cassette tape recorder, the piano and the guitar. I didn’t have a microphone or a mixer, which meant I had to record by singing to my own accompaniment in front of the tape recorder. Although I had done that before and even done a few gigs too, the demo I finished this time sounded so lame that I thought he would turn me down as his band member at the meeting.
To me, my demo tape sounded as if it made me a laughingstock since I had confidently declared myself to become a professional musician over the phone. He would either laugh at me or get angry for wasting his time when he listened to it. Rather, I may have had excessive self-esteem to think about becoming a musician with those poor songs in the first place. It seemed more and more like the recurrence of my mistake in which I failed the entrance examination of most universities after I had declared to everyone around me that I would go to the most prestigious university in Japan.
I felt hesitant to go to Osaka for the meeting. On the other hand, my sudden loss of confidence showed how much I committed this time. At that point of my life, joining a band was so important. An audition or a gig as a high school student was nothing compared to that. I didn’t have my purpose for living anywhere else. It was the only way left for me to go on. I had no other choice but to be heading for the meeting with my demo tape held in my hand.

my first guitar

Photo by Pixabay on Pexels.com

When I was eight, my uncle got married and left our house. He had collected small change in big jars and gave all of them to me when he left. I had always wanted him to leave soon, but I found a lot of toys that he had given me in all those years besides the small change.

 About five years later, he also gave me my first guitar. It was a white classic guitar that he won as a prize for a golf game with his friends. Although it was a cheap model, I had played it for years until it got completely tattered and I bought a new one for my first gig.

 While my uncle was a giver, his wife was very careful about money. She came to sell her homemade bread to my parents, or reaped away with her neighbors most of persimmons that my parents grew in my family’s field. Long after I left home for music, she visited my parents’ house and asked about my first white guitar. According to my mother, she wanted it back now that I had left home and hadn’t used it anymore. I was purely surprised that she remembered the guitar. It must have been her longtime grudge that my uncle gave it to me. After ten years, she retrieved the worn-out, battered guitar at long last…

Episode From An Old Tree in Kyoto /Hodemi Woods

Audiobook 1 : Japanese Dream by Hidemi Woods On Sale at online stores or apps. 
Audiobook 2 : My Social Distancing and Naked Spa in Japan by Hidemi Woods On Sale at online stores or apps. 
Apple Books, Audible, Google Play, Nook Audiobooks,  43 available distributors in total. 

Early 80s – The Beginning of My Music Career hr641

I started to think about becoming a singer-songwriter in the beginning of 1980’s when I still lived in my hometown of Japan where I was born and grew up. By the end of the first month as a college student, I had lost interest in a college life since I didn’t care about getting a degree or being hired by a renowned company after graduation. A college had turned into an unnecessary place for me because of music. Only I tried to follow the footsteps of a Japanese band that I had admired most. Before they became professional, they started their careers by forming bands at universities and colleges where they were enrolled. I tried to do the same. As I had easily known, I found nobody in my college all of which students were women and most of which students attended as preparations for homemaking and marrying a doctor. I searched other universities for band members, for which I used my otherwise wasteful college life.
At that time, PCs or smartphones were yet to come. Even CDs didn’t exist. To listen to music, you needed to buy a record, put it on a turn table of a stereo carefully and gingerly not to scar the record surface, put down a record needle softly onto the start groove, and wait for music to begin while watching the record turning fast. The moment music started, the space shifted in a flash from where you had been. That was the essence I used to feel with a record. The sound of an analog record is different from the digitalized CD’s one. I feel the former round and deep that vibrates and seeps into the heart. Both Western and Japanese rock music I had listened to back then conveyed something to inspire like a struggle for life or for freedom. I’ve seen quite a few people whose life was actually changed by music.
A record has been given way to a CD, and then to download and streaming. On the making side, recording on a tape by physical instruments has turned more and more into entering data on a computer by software. The sound has become mechanical with copying and pasting. Having an impact is valued more than being dramatic. I hadn’t the slightest idea this kind of music scene would arrive in the future when I lived the beginning of 80’s. I simply had believed that music could change the world and save someone by healing a sore heart just as it did to me. While the music scene did change, my belief remains unchanged. I’ve been striving to make music by taking advantage of the digital side into inspiring songs.
Back in the eighties, I was trying to form a band to have my songs heard as soon as I started a college. I came across a bulletin board of a band circle at one university that was recruiting new members. I went to the meeting where many freshmen gathered. The circle leaders were matching a new member to an existent band according to which part the new comer played and which part the band needed. Because I intended to join a professional-aiming, high-grade band, I pitched earnestly my skills of writing songs, singing, playing the keyboard and the guitar, and most especially, my passion for music. The person who interviewed me said outright that there was no available band for me to join. While I was preparing to leave, I noticed that other freshmen got assigned to a band one after another. They all said they had no skills or had never played an instrument, except that they all were cute and had a flirty smile. Again, my passionate, serious attitude backfired there too, as if it foretold my subsequent music career. I learned that bands at Japanese universities and colleges in 80’s were for those who just wanted to enjoy a campus life not for those who sought a music career.
I was excluded from campus musicians and couldn’t use my college life for member hunting. As a college has become useless to me more than ever, I was sent outside the campus to look for a member in the real world.

You wimp! You can’t decide anything by yourself!

I was a fan of a local country band called Bugs Bunny when I was in junior high school and they were going to give a performance at an open-air municipal auditorium. Their performance was one of the series of the local traditional musical event. It would start at 6:30 p.m. while my curfew was 7:00 p.m., which meant I needed an exceptional permission from my parents. My father readily gave it, telling me that he used to go to the event himself when he was young. He guaranteed it would be so much fun. I was changing my clothes before leaving home on that day when my mother asked what I was doing. I told her about the event, and she said madly, “ Are you out of your mind? Your curfew is seven o’clock!” I explained that my father had allowed me to go, but she kept saying, “No way! You can’t go!” I called out to my father for help and she demanded angrily, “Did you allow this? Did you, really?” He said yes in a faint voice and got under her fiery anger. I begged him to persuade her, but her definite noes drowned out his “It’s rather an educational event.” At last, he said to me, “You can’t go because your mother says so.” That was the last straw. I screamed at him, “You wimp! You can’t decide anything by yourself! I hate you!” I called my friend crying, to tell her that I couldn’t make it because my father was my mother’s servant, and stopped speaking to him. On the next evening, he came into my room hesitantly. As I ignored, he put a bag on my desk and said “Sorry.” After he left, I opened the bag and inside was a book of poems, which I had wanted for some time. I had talked about it casually at dinner and he remembered. He gave me a gift instead of confronting my mother. A few years later though, his character changed completely for an unexpected reason. It happened when I decided to be a musician after high school. Until then, he was a gentle father who liked music so much that he recorded my singing for practice when I was little and bought me records, a stereo and a guitar. But since I chose music as my career, he has been mean and spiteful to me and been opposed to my decision to date. Who would think one career choice reverses someone’s personality?…