The Money Pit hr650

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I made up my mind to become a professional musician when I was eighteen living in Japan. I had imagined that the hardest thing to be one was to keep up better works by strengthening talent, which proved wrong. The hardest thing is money. Scraping up funds for activities as a musician without losing time and energy for music is most difficult. It’s equally the case for either an artist who has made a smash hit or the one who has been unsuccessful like me. And it has remained to be the case today after decades passed.
At the very beginning of my music career, I regularly rehearsed in a studio as a member of the band that strongly intended to become professional. It was the first serious band I had joined. I somehow managed to play well enough compared to other skillful members and didn’t get fired at the first session as I had feared. The band was based in Osaka that is a 45-minute ride by train from Kyoto where I lived. The studios the band used were all in Osaka, which meant I needed to pay the studio rental fee and the train fare each time. I was a college student back then, but barely went to class. Instead, I worked at the restaurant as a cashier and spent everything on the band. My time was dedicated to music and I came home just to sleep.
The studio was equipped with a synthesizer but I didn’t have my own although I constantly appealed my passion to become professional. It had gradually seemed odd that I used a rental synthesizer in every session while I tried to motivate other members to be professional as soon as possible. A thought that other members questioned my seriousness began to cross my mind as I continued to play with temporary sounds. Since we played our original songs, original sounds were necessary. On top of that, when I practiced back at home, I used the piano for a synthesizer that was quite ineffective as practice. I finally decided to get my own synthesizer. I chose the latest model at that time called Yamaha DX7 that was featured in almost all the pop songs and albums in the music business of 80s. It cost about 2500 dollars.
Before I joined the band, I had saved money out of my years’ allowances and was going to use that money to study English in England. The amount of my savings was about the same as the price of a DX7. I had put it in time deposit at the credit union bank for higher interest and for my friend just a few months before. That friend of mine had worked at the bank by giving up going to college because she needed to support her handicapped mother and two younger siblings when her father suddenly abandoned them. I wanted to help her in some way and set a time deposit through her with hope that it might raise her performance evaluation at the bank. Sadly, my rare good deed couldn’t last any longer. I went to the bank, apologized her a million times, and cancelled a time deposit. While she kept telling me with a smile “Don’t worry, don’t bother,” I was bathed in guilt, and yet I withdrew my savings and went on to get a DX7. I chose a DX7 over staying in England and being her friend.
After all, it was just the beginning of the long way that I have walked on until today. Since I decided to become a professional musician, I had lost my friends and my family not to mention a college degree as a dropout. What I gained instead are thousands of sleepless nights for worry about money. Even while I stay awake in the night yet again, I still believe that the happiest thing for a human is to fulfill one’s calling.

The Turning Point hr648

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I was nervously looking at a passing view of houses and factories from the window of the express train that ran between Kyoto and Osaka in Japan. On that day, I headed for Osaka to meet for the first time the person who had posted a recruitment ad for the band in a music magazine. I was tense not only because I wasn’t good at meeting people, but also because my demo tape to be exchanged at the meeting had sounded terrible. When I recorded it, I couldn’t manage to make it as I hoped it to be. In the end, I was so frustrated that I aborted recording in the middle of one of my songs. And I was carrying that tape as the finished product for the first meeting. I was easily able to imagine the dumbfounded expression of the person who would have listened to this tape.
It had been three months since I started college life that had turned out to be a waste of time and I began to look for a band. Although I had determined to pursue music as my lifelong career, my band searching hadn’t been going well. I had felt I was at a deadlock. If I had failed to form a band again with this meeting, futile days would have gone on. I couldn’t stand it any longer. The train arrived at Osaka and I came to the meeting place 10 minutes late.
The young man was standing where the railway track ended as Osaka was the terminus. When I passed him by on purpose, he called me to stop though he didn’t know my face. We greeted and entered the cafe. He introduced himself along with his music career so far. Although he was younger than I was and still a high school student, he had a wealth of experience in music under his belt. He had formed several bands with which he had won quite a few competitions and awards. I wondered why he hadn’t mentioned them in his recruitment ad on the magazine. He of course had written much more songs than I had. Compared to his experience, a few gigs and my own songs were nothing. Inevitably however, he asked about me and my turn to talk about myself came.
After I heard about his glorious career, I didn’t feel like telling him mine. I just gave him snippets of information such as I started to play the piano when I was four years old since I had applied to his ad as a keyboardist/singer. And instead of my experience, I ranted and raved about my passion. I didn’t have anything else for self-promotion but showing how committed I was to make a career as a musician. I did so also because I had my poor demo tape waiting to appear. As I remembered the last line of his ad was ‘A band member with passion wanted’, I thought my passion was the best defense as well as selling point. I even told him how hurriedly I had pedaled my bicycle when I went to get a double postcard to contact him prior to this meeting. After he listened to me half amusedly, he told me that his band would start with me as the keyboardist.
As it turned out, we exchanged demo tapes not to listen there but just to make sure later. All he needed to find out at the meeting was passion for music. Through his rich experience in forming a band, he had been sick of Japanese musicians’ common attitudes that they wanted to be professional only if they were lucky. They would play in a band until they got a steady job at the office and quit. No matter how skillful they were, they would decisively lack intention to become a professional musician whatever it took. I happened to have that kind of intention more than anybody and got to show him. I joined a band and the meeting was over. When we were about to leave the cafe, I said to him “Don’t bother about my coffee,” because it was still a common practice back then in Japan that a man should pay for a woman. He answered, “I wouldn’t do such a thing.” He was a rare progressive person for a Japanese of those days. Along with the cool cafe in the big city and the new band, I felt like I opened the door to the future at the meeting.
I was relieved to have found the band and have broken a deadlock finally when I headed home. I took the train back to Kyoto again, which was running toward the future this time. In the train, I listened to his demo tape on my Walkman. On the tape were three songs he wrote and sang with his own guitar playing. I was astounded. His songs, singing, playing were all excellent. Even the recording quality sounded as if it were of a professional musician. I couldn’t believe what I had just found. I was convinced I had hit the jackpot. With this talent, the band would become professional and be a big hit in no time. Success was assured. For the first time in my life, I felt hope enormous enough to tremble. All at once, everything I saw looked different. The same somber houses and factories that I had seen out of the train window the way there were beautiful now. The regular train was gorgeous and all the passengers seemed happy. Among those happy passengers, a shaft of sunlight beamed only on me and shone me. I saw my wretched life with too many failures ending at last. A successful life that I should have was about to start instead.
I listened to the tape repeatedly on my way home feeling literally over the moon. The thing I couldn’t see was that this was the entrance to my adult life filled with sufferings and miseries that I would have endured as a musician to this day.