I think it’s worth trying

Photo by Pixabay on Pexels.com

I installed Cubase to my new computer for mastering of our new song. I’ve decided to do the mastering by myself instead of taking it to a professional. Basically, I don’t trust those who are so-called professionals or authorities. I believe I can do better. After working on the song for seven years, I don’t feel like leaving it to someone in this very last process. It might hit a dead end, and then, I’ll turn to an expert. But until then, at least I want to try and I think it’s worth trying.

On the other hand, by doing so, it’s become uncertain whether the song should be completed by the end of this year…

Episode From Surviving in Japan / Hidemi Woods

new ideas

Photo by Pixabay on Pexels.com

When I got down to mastering our new song yesterday, new ideas for the mix down struck me.

But I’ve already declared the completion of the song. Trying the ideas means to return to the mix down again. I hesitated to do so because it really might throw me into an endless loop. I should accept closure for this project at some point or I would go on for the rest of my life.

But, what if the ideas made the song drastically better? Can I leave the possibility untouched? I’m a master of regret and afraid that not trying would be added as one of the big regrets of my life. I’ve got too many regrets and can’t afford any more.

I decided to try them. My partner thought I had finished the mastering and brought him a master disc when I told him about going back to the mix down instead. He was planning a trip. The trip was postponed for an indefinite period…

Episode From Surviving in Japan by Hidemi Woods

Audiobook: The Family in Kyoto: One Japanese Girl Got Freedom by Hidemi Woods On Sale at online stores or apps. Apple Books, Google Play, Audible 43 available distributors in total.

Audiobook:  Japanese Dream by Hidemi Woods On Sale at online stores or apps. 
Apple Books, Google Play, Audible,   43 available distributors in total.

Free download of Kindle ebook! July23rd-27th “The New Stage of One Singer-songwriter in Japan: new song, moving and stay alive without giving up / Hidemi Woods”

When I decided to go back to the mix down from the mastering of our new song in order to boost its overall volume, I prepared to take a few more months to complete it.
  Once I accepted the delay and released myself from constraint called time, things presented a new twist. I had compared the volume of our song to other CDs with the stereo components. Our song came from the computer through the line-in of the stereo, which meant I compared the line-in sound to CDs. Before going back to the mix down, I burned the song to a CD as a low-volume version because except for the volume, the mastering went perfectly.
  It happened when I checked the sound of the CD. The volume was as high as other CDs! It had been indeed boosted already during the mastering. I just compared it in a wrong way through the line-in. I had been struggling with the volume for a couple of months based on my false judgement.
  When I heard our song at the right volume, I found out how silly I was and laughed out loud. At the same time, I burst into tears for indescribable joy. The only remaining problem to complete this song was the volume. Now that the volume was boosted, the song’s completion was within my grasp.
  Looking up at the ceiling of my room, I was loudly laughing, crying, then laughing, and again crying, with tears falling down. It was so funny, ironic, stupid and joyful…

The New Stage of One Singer-songwriter in Japan: new song, moving and stay alive without giving up / Hidemi Woods

money pit

I’ve been working for mastering of our new
song for some time now. I still can’t get it up
to my satisfaction though, after using
everything I’ve got. I successfully made the
sound itself exactly what I’d wanted. The only
problem is the volume. I tried countless
compressors and limiters, read a book on the
subject and looked it up around on the
Internet with no luck. Our song stays in low
volume compared to other CDs.
The other day, I found mastering software
that many engineers regard as an ultimate
volume booster. It looked attractive, but it was
quite pricey. It was my decision whether I
bought it or took our song to a studio engineer.
I just wanted to try the software and go
through with the mastering so badly. I decided
to try to the best of my ability and then, after
it became certain that I couldn’t, turn to a
professional. I bought the software.
Now, the road to a goal is one, only the
ending will be either the software or the studio.
I’ve known that completing a song takes time,
but music also can be a money pit…

Episode From Surviving in Japan / Hidemi Woods

master of regret

When I got down to mastering our new song yesterday, new ideas for the mix down struck me. But I’ve already declared the completion of the song. Trying the ideas means to return to the mix down again. I hesitated to do so because it really might throw me into an endless loop. I should accept closure for this project at some point or I would go on for the rest of my life. But, what if the ideas made the song drastically better? Can I leave the possibility untouched? I’m a master of regret and afraid that not trying would be added as one of the big regrets of my life. I’ve got too many regrets and can’t afford any more. I decided to try them. My partner thought I had finished the mastering and brought him a master disc when I told him about going back to the mix down instead. He was planning a trip. The trip was postponed for an indefinite period…

 

Episode From Surviving in Japan / Hidemi Woods

It was so funny, ironic, stupid and joyful…

When I decided to go back to the mix down from the mastering of our new song in order to boost its overall volume, I prepared to take a few more months to complete it. Once I accepted the delay and released myself from constraint called time, things presented a new twist. I had compared the volume of our song to other CDs with the stereo components. Our song came from the computer through the line-in of the stereo, which meant I compared the line-in sound to CDs. Before going back to the mix down, I burned the song to a CD as a small-volume version because except for the volume, the mastering went perfectly. It happened when I checked the sound of the CD. The volume was as large as other CDs! It had been indeed boosted already during the mastering. I just compared it in a wrong way through the line-in. I had been struggling with the volume for a couple of months based on my false judgement. When I heard our song at the right volume, I found out how silly I was and laughed out loud. At the same time, I burst into tears for indescribable joy. The only remaining problem to complete this song was the volume. Now that the volume was boosted, the song’s completion was within my grasp. Looking up at the ceiling of my room, I was loudly laughing, crying, then laughing, and again crying, with tears falling down. It was so funny, ironic, stupid and joyful…

music can be a money pit

I’ve been working for mastering of our new song for some time now. I still can’t get it up to my satisfaction though, after using everything I’ve got. I successfully made the sound itself exactly what I’d wanted. The only problem is the volume. I tried countless compressors and limiters, read a book on the subject and looked it up around on the Internet with no luck. Our song stays in low volume compared to other CDs. The other day, I found mastering software that many engineers regard as an ultimate volume booster. It looked attractive, but it was quite pricey. It was my decision whether I bought it or took our song to a studio engineer. I just wanted to try the software and go through with the mastering so badly. I decided to try to the best of my ability and then, after it became certain that I couldn’t, turn to a professional. I bought the software. Now, the road to a goal is one, only the ending will be either the software or the studio. I’ve known that completing a song takes time, but music also can be a money pit…