dead serious

Our new song ‘Sunrise’ has been completed
and sent out to a distributor. It’s finally
released and available worldwide, that I’d been
hoping for a long time.
The distributor put up the song on online
stores such as iTunes and Amazon MP3. I had
looked forward to seeing ‘Sunrise’ displayed
there.
When I was looking around them, something
caught my eye. They categorize songs
according to genres. ‘Sunrise’ is categorized in
six genres, like pop/general etc. One of them is
miscellaneous/comedy. They felt a sense of
comedy in ‘Sunrise’ when they categorized it.
It’s interesting because I wrote this song being
dead serious with a deep theme…

Episode From Surviving in Japan / Hidemi Woods

Audiobook : Japanese Dream by Hidemi Woods On Sale at online stores or apps. Apple, Audible, Google Play, Nook Audiobooks,  43 available distributors in total

They were hovering right in front of the window

I saw God for the first time in my dream the
other day.
I was preparing for work in my room. I
looked out the window and noticed three small
dots in the cloudy sky. While I was figuring out
whether they were aircraft or UFOs, the three
black dots were getting bigger and bigger as
they were coming closer.
They were flying with tremendous speed
toward my window and I recognized each dot
was in the shape of a human. The two of them
were leading the way for the third one that
was flying a little behind them. I was extremely
frightened and covered my eyes. Even so, I felt
an urge to see them and opened my eyes.
They were hovering right in front of the
window.
As soon as I saw them, I clearly understood,
or was told somehow, that the two human-
shaped things at the front were angels and the
also human-shaped one in the middle behind
was God. In this dream, God was Jesus at the
same time. Their looks were so different from
my imagination. None of them had wings nor
was wearing white. All of them were quite
young with black hair, wearing black hooded
coats. They were flying just by themselves,
with their arms lightly forward and their knees
slightly bent.
I was completely awed and fearful.
God/Jesus was looking straight into my eyes
with a serious gaze while hovering. Then, He
turned and flew away with His angels high up
in the sky. When they disappeared, my mother
came into my room. I told her what had just
happened but she showed no interest. Instead,
she asked me to let her hear our new song.
The moment I pushed a play button, I woke
up.
Later on the same day, totally unexpectedly,
our new song had been finished at long last.

Episode From Surviving in Japan / Hidemi Woods

Audiobook : Japanese Dream by Hidemi Woods On Sale at online stores or apps. Apple, Audible, Google Play, Nook Audiobooks,  43 available distributors in total

It was so funny, ironic, stupid and joyful

When I decided to go back to the mix down
from the mastering of our new song in order to
boost its overall volume, I prepared to take a
few more months to complete it.
Once I accepted the delay and released
myself from constraint called time, things
presented a new twist. I had compared the
volume of our song to other CDs with the
stereo components. Our song came from the
computer through the line-in of the stereo,
which meant I compared the line-in sound to
CDs. Before going back to the mix down, I
burned the song to a CD as a low-volume
version because except for the volume, the
mastering went perfectly.
It happened when I checked the sound of
the CD. The volume was as high as other CDs!
It had been indeed boosted already during the
mastering. I just compared it in a wrong way
through the line-in. I had been struggling with
the volume for a couple of months based on
my false judgement.
When I heard our song at the right volume, I
found out how silly I was and laughed out loud.
At the same time, I burst into tears for
indescribable joy. The only remaining problem
to complete this song was the volume. Now
that the volume was boosted, the song’s
completion was within my grasp.
Looking up at the ceiling of my room, I was
loudly laughing, crying, then laughing, and
again crying, with tears falling down. It was so
funny, ironic, stupid and joyful…

Episode From Surviving in Japan / Hidemi Woods

Audiobook : Japanese Dream by Hidemi Woods On Sale at online stores or apps. Apple, Audible, Google Play, Nook Audiobooks,  43 available distributors in total

Time is relative like happiness

I found that the problem I’ve been tackling,
which is to boost the volume of our new song,
could be solved by redoing the mixdown. But
it’ll take a few more months to complete.
Also, I feel reluctant to tell my partner that I
need more time to complete the song. I
thought about an extreme.
What if I were the only human on this
planet? If there were no one else besides me, I
would redo by taking as much time as I want
until I reach my satisfaction. Time is relative
like happiness and bears meaning simply in
relation to others. Come to think of it, our new
song is written just about it. While I’ve been
working on it, I ignored what I had written
myself. So, I decided to go back to the
mixdown. Considering the song’s theme, it was
destined to take time…

Episode From Surviving in Japan / Hidemi Woods

money pit

I’ve been working for mastering of our new
song for some time now. I still can’t get it up
to my satisfaction though, after using
everything I’ve got. I successfully made the
sound itself exactly what I’d wanted. The only
problem is the volume. I tried countless
compressors and limiters, read a book on the
subject and looked it up around on the
Internet with no luck. Our song stays in low
volume compared to other CDs.
The other day, I found mastering software
that many engineers regard as an ultimate
volume booster. It looked attractive, but it was
quite pricey. It was my decision whether I
bought it or took our song to a studio engineer.
I just wanted to try the software and go
through with the mastering so badly. I decided
to try to the best of my ability and then, after
it became certain that I couldn’t, turn to a
professional. I bought the software.
Now, the road to a goal is one, only the
ending will be either the software or the studio.
I’ve known that completing a song takes time,
but music also can be a money pit…

Episode From Surviving in Japan / Hidemi Woods

the happiest time in my life

An artist who has a contract with a major record company generally has a deadline for work. Due to the cost of studio use and the promotion schedule, they often need to finish recording in a couple of weeks. Sometimes, it requires compromise and the work results in what they didn’t want.

I, on the other hand, have no contract, no obligation, no bind. I’ve been working on the current song for seven years now, including two years of recording. These years have been the happiest time in my life, with contentment from work. I’m in an ideal position to pursue my music as much as I want, so to speak. I always wonder why people don’t live like this.

Of course, if they do, fame and money is almost certainly hopeless as is my case. I have no contract, no fame, no money, and call it ideal. Maybe I’m beginning to become a nutcase…

Episode From Surviving in Japan / Hidemi Woods

matter of a little more volume

I’ve been mastering our new song on my new computer, which has an updated version of Cubase. I’m more than satisfied with its effect line-up but sound itself was better on my old computer. In a timely manner, the sound card on my new computer got disconnected from the software suddenly and I installed the old physical one to replace it. Sound became much better but I found out that the overall volume of the new song wasn’t as high as it was supposed to be.

I had set some effects to boost the volume and it sounded on a par with audio CDs. As it turned out, the former sound card didn’t support the direct monitoring and I had listened to amplified sound by the computer. It’s the matter of a little more volume now that I’ve gained most of it with a variety of effects. From this point on, it has come down to my idea. The question is, do I still have any ideas left…?

Episode From Surviving in Japan / Hidemi Woods

They must think using the word ‘environment’ makes them a saint.

The rent of my apartment includes utilities, which means I can use them as much as I want. Since it’s murderously hot everyday, I’ve spent most of time inside my air-conditioned apartment, working for music and watching America’s TV shows. A few days ago, there was a note in my mailbox from the management company of this apartment.

It said that even though it’s utility-included, my usage has been so excessive that they may charge me unless the usage drops to an ordinary amount.

Well, I do have my say on this. First of all, I need air-conditioning more because my room is a duplex apartment and the roof is merely nailed iron plates that conduct heat extremely well. It’s their fault, not mine.

Secondly, who decides the ordinary amount? Japanese people are obsessed to categorize everything and they don’t allow someone or something sticks out. I hate to be categorized and fight against it all the time here. They should accept there is someone who works at home during the night and sleeps in the daytime.

Thirdly, the note asked me to care about the environment. They must think using the word ‘environment’ makes them a saint. It was them who had chosen iron plates for the roof! Before they start charging me, I really need to get out of this apartment…

Episode From Surviving in Japan / Hidemi Woods

I think it’s worth trying

I installed Cubase to my new computer for mastering of our new song. I’ve decided to do the mastering by myself instead of taking it to a professional. Basically, I don’t trust those who are so-called professionals or authorities. I believe I can do better. After working on the song for seven years, I don’t feel like leaving it to someone in this very last process. It might hit a dead end, and then, I’ll turn to an expert. But until then, at least I want to try and I think it’s worth trying.

On the other hand, by doing so, it’s become uncertain whether the song should be completed by the end of this year…

Episode From Surviving in Japan / Hidemi Woods

low price always has its reasons

I shopped at the discount supermarket that I’d recently noticed its existence again. Their usual prices are at the level of special sale prices at other supermarkets. They also have their private brand at even lower prices for beer, noodles and wine. Meat is cheaper than the half-price one at other stores. I get the meat there with further discounts because of the imminent expiration date, so that the price is unbelievable for meat.

It’s open 24 hours and I can go there any time I want without worrying about its closing time. It’s a perfect place to shop for me if not one particular thing – the music played in the store. They play Japanese hit songs annoyingly loudly. Their problems are they sound like a patchwork of fragments from hit songs of U.S. that were popular ten years ago. Their Japanese lyrics are particularly horrible with childishness. I try not to listen to them but it’s loud enough to beat any defense like earplugs or portable music devices. I don’t want to be contaminated, so I have to leave the store quickly each time. Being unable to enjoy shopping leisurely is the catch of this otherwise great store. The low price always has its reasons…

Episode From Surviving in Japan / Hidemi Woods