Podcast: an ordinary ping-pong table

 
Audiobook 1 : Japanese Dream by Hidemi Woods On Sale at online stores or apps. 
Audiobook 2 : My Social Distancing and Naked Spa in Japan by Hidemi Woods On Sale at online stores or apps. 
Apple Books, Audible, Google Play, Nook Audiobooks,  43 available distributors in total. 
 
When I was a ninth-grader and a leader of the ninth-grade play team for  the homecoming at school, I devoted myself to dramatization and  direction in the run-up to the homecoming. The teacher in charge of our  team praised my first dramatization. He said it was a good script and I  had a talent. While I was motivated, other members of the team didn’t  have a whit of interest or enthusiasm. They tried to make me decide  everything. I took care of the set, the props and the costumes while  teaching the lighting and acting. Above all, their acting was terrible.  They were just reading their lines in a monotone. No matter how  strenuously I explained, they simply couldn’t act. I acted every role  for them and asked them to mimic me. As I needed to tell every member  what to do and how to do, I felt like I was working with a bunch of  robots in the team. At last, they started suggesting that I would be  better off if I did everything in the play alone by myself, instead of  giving them each and every single instruction. Maybe it was true, but  there was one exception among the cast members. The girl whom I cast as a  leading roll tackled her acting earnestly and seriously. She followed  every instruction and advice from me. Other members were still sardonic  for my casting of a non-pretty, unpopular girl as a leading role, but  her acting got better and better. It seemed she felt an obligation to me  for the casting. She even brought a present for me on my birthday  although we had never been close and had hardly talked with each other  at school until the play team got going. With her and my effort, our  team successfully put on the play at the homecoming and it was much  better than I had expected. This curriculum play was part of a school  competition. The faculty would vote to decide the best play among the  seventh, eighth, and ninth-grade team’s plays. It was a school’s  tradition that a ninth-grade team won every year. As a ninth-grade team  leader, I was sitting at the auditorium, preparing myself for receiving  the prize out on the stage when the winner was announced. “The  eighth-grade team!” the announcement filled the air. 

Podcast: When I killed her

 
Audiobook : Japanese Dream by Hidemi Woods On Sale at online stores or apps.  Apple, Audible, Google Play, Nook Audiobooks,  43 available distributors in total 
 
My long-awaited first appearance on the stage drew unwelcome laughter in the school play but I had been absorbed in my role as an evil stepmother too much to care about the audience’s wrong response. A hush fell over them quickly and tension of the play was conveyed to them as the play went on. They even screamed in the scene that I slapped hard the heroine on the cheek. When I killed her near the end, I heard them raise an outcry. The play was a big success.
It was part of entertainment in a welcome assembly for new students. Since the school had both the junior high and the high school, the drama club had two performances on that day for each school. While I was cast in both performances, the heroine was double-cast. My favorite senior member of the club played it in the first performance and every scene with her went so well probably because chemistry between us was right. Especially when I slapped her, it produced an ideal loud whack. Miss Fujiwara, who had snatched a role away from me months before, was the heroine for the second performance. She asked me to slap her just as I did to another heroine. She was envious of the dramatic scene we had created. Unfortunately, she overacted the scene and my slapping made a dull thud. I knew it would go that way considering our bad chemistry. Or maybe my hand hit her too hard by carrying my bad feelings toward her.
After the play, the teacher in charge of the drama club ran up to me and proudly proclaimed, “A star is born!” He introduced me to his colleagues as a new star in the drama club. I gained a weird celebrity status at school. Every time students spotted me, they would shout abuse at me for what I had done in the play, or they would try to avoid me because they were scared of me. It seemed I acted the role so well that they believed I was a naturally vicious person off the stage.

Podcast: my first ever appearance

Audiobook 1 : Japanese Dream by Hidemi Woods On Sale at online stores or apps. 
Audiobook 2 : My Social Distancing and Naked Spa in Japan by Hidemi Woods On Sale at online stores or apps. 
Apple Books, Audible, Google Play, Nook Audiobooks,  43 available distributors in total. 
 
 
As the school play of the drama club approached, I had prepared for my first role vigorously. Once I remembered all the lines, acting itself actually felt much easier than the backstage work I had done for three years.
The difficult part was timing for some action. In one scene, I threw a bowl at the heroine but she had to show her back to me when it happened. I sat with my back to her and couldn’t see her positions. We made the sound of her knees tapping the stage floor a signal that she had turned her back to me. Because the sound was so subtle, I was afraid of missing it.
Near the end of the play, an evil stepmother, who was played by me, killed a heroine with a poker. It was a custom of the club that the club members would visit a shrine together to pray for safety before the play if it had a murder scene. We did that after school, with me standing right in front of the altar because I was the murderer. Now, I had everything ready for my first play, and the day had come.
Since it was a Japanese period play, I had borrowed kimono from my grandmother as my costume. My role was an old woman and I drew lines on my face and sprinkled talcum powder over my hair. While I was waiting for the play to start in the wings, I got tensed up and my hands began to tremble. There’s an old trick in Japanese show business, that tracing a Chinese character that means ‘human’ on a palm with a finger three times and pretending to swallow it removes tension when you’re nervous. I threw myself on the trick but it didn’t work at all. Suddenly I lost self-confidence and told one of the juniors that I was so nervous. Although she would also appear in the play as a bit part, she was surprisingly calm. She suggested the trick placidly and said that she couldn’t help me because she had never been nervous in her entire life. As I doubted if she was a human being, the play started.
Following a heroine’s monologue, the curtain was raised and I was standing in the center of the stage. The unexpected happened: before I uttered a word, the hall got engulfed in an explosion of laughter. The audience burst out laughing at the scene in which a stumpy girl was standing with old makeup. Although the play was a serious drama, my first ever appearance was laughed away…
 

Podcast: An Ugly Girl in The Drama Club 3

Photo by cottonbro on Pexels.com
 
Audiobook : Japanese Dream by Hidemi Woods On Sale at online stores or apps. Apple, Audible, Google Play, Nook Audiobooks,  43 available distributors in total 
 
When my role in a drama club at junior high was still lower backstage work, I was assigned to give the cast members a cue on one school play. I needed to cue them in the dressing room when the show before us was about to end. I counted down from forty minutes before the cue to make their preparation easier by watching the current show in the wings. The stage was far from the dressing room and I had to go back and forth between them to tell them the time left.
For that play, the heroin put on makeup and got dressed so slowly, and I felt sure our play couldn’t start on time. I rushed her while reporting the progress of the show before us by running laps between the stage and the dressing room. But as I had feared, she couldn’t make it. The previous show had ended, the audience was waiting, and she remained wigless. Those who helped her dress got hysterical and began to take it out on me who kept on cueing. Back in the wings, the teacher in charge of the school event stormed at me. We had to start without her and I asked other cast members to prolong the opening scene by improvising. They got panicky and complained to me. Eventually, everyone yelled at me who was just a cue person. While they were desperately improvising the play on the stage, I took her from the dressing room plowing through the people on the crowded hallway for her.
Then I had gradually promoted to the higher backstage work play by play. As the curtain drawer, I needed to learn how to draw the heavy main curtain smoothly by tugging a thick twined rope. If it opened or closed in several separate movements according to my tugging, I would get reproved. The curtain was used frequently to shift scenes and drawing it seamlessly was such a tough job. As a prompter, I was pointed out that my prompts were too loud. Then as the stage lighting, I needed to get the knack to create a blackout on the stage by turning numerous switches off in one quick sweep by my hands. The switches were too many and big, so I had to hold my breath and put my whole weight on my stretched hands to slide them all.
All those years, I didn’t quit because I really wanted to be cast and play on the stage some day. It must have been a strong aspiration as I spent full three years just training and working backstage…

Podcast: An Ugly Girl in The Drama Club 1

Photo by Monica Silvestre on Pexels.com
 
Audiobook : Japanese Dream by Hidemi Woods On Sale at online stores or apps. Apple, Audible, Google Play, Nook Audiobooks,  43 available distributors in total 
 
 I was a member of the drama club at junior high school. There were almost 100 new comers when I first joined it in the seventh grade, but only six remained including me after a month because of sober training that was far from the stage glamor. We did voice and physical exercises every day to develop our abdominal muscles.
In the end of the exercises, the members would stand side by side and utter a loud and long tone one by one in front of the club captain. While we were squeezing ‘Ahhhh’, a senior member would put a hand on our shoulder to see if it rose. If we were doing abdominal breathing, our shoulders didn’t rise. The club captain would time the length of the tone and check whether it wavered or not. A loud, long, steady voice was good and I was the one who always uttered the loudest, longest, steadiest ‘Ahhhh’ without raising my shoulders. While the club captain corrected each member, in my turn she would say “Nothing to be corrected” to me. That made me so happy and I practiced diligently back at home too, to hear her say that every time.
Gradually, I had tougher training at the club such as tongue twisters, short dialogues and pantomime. For some reason, I was good at those and had a good word from the captain each time. I began to think I might have a talent for acting. Secretly I took pleasure in picturing myself on the stage of a school play. A sad fact was, I was a fat and short girl. Even with the ability to act well, things wouldn’t go so smoothly for an ugly girl like me in the theater. But back then, I was too young and innocent to realize that. I just kept on striving and improving only my acting without caring about my bad looks…