Lost and Found hr654

The unprecedented has happened.

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The prefecture where I reside in Japan has rolled out its travel stimulus benefit to help the struggling tourism industry that covers almost all the travel costs. Although I had given up going on a trip since my income decreased tremendously, the benefit allowed me to book a gorgeous hotel in the city for practically free by clearing some small detailed conditions. I was overjoyed by this unexpected luck and preparing for the trip.

A few days before the trip, I noticed my clothespin was missing at the locker room of the communal spa in my apartment building. I used it to close my bag every evening there and it seemed I had dropped it somewhere between my apartment and the communal spa. I thought of returning to look for it but I was already naked. I didn’t want to put on clothes all over again just for a clothespin. As it was too cheap for someone to keep for themselves, I guessed I would find it where I had dropped it on my way back to my apartment, and took a bath. Nevertheless, all that I could think of was the clothespin while I was in the spa. I seemed attached to it more than I had thought. Also, losing something wasn’t a pleasant feeling no matter how petty the thing was. By the time I hurried out of the spa and back to my apartment while looking for the clothespin, what I wanted most in the world was that clothespin. Sadly, I couldn’t find it. I entered my apartment, disheartened by the loss. And my partner said from the back of the apartment, “Something of yours was left there.” I saw the clothespin on the floor of the hallway. I picked it up as if it were a gem, feeling so happy. On top of that, some of the items that I had put up on the online flea market were sold on the same evening. It was a relief for me because they hadn’t been sold for some time and I had been worried. The day turned out to be wonderful, I thought. But it didn’t end there.

I have hypersensitivity to sound and hear high-pitched sounds boosted. While I get almost no income as a musician, I ironically have a full-fledged occupational hazard as one. I am especially sensitive to children’s shrieking and I reflectively shush them when I hear it. My partner has been recently watching a musical TV show before going to bed. Inevitably the sound has reached my ears every night. The female singing voices from the show have annoyed me immensely. I had wished the series would end soon, but it has gone on and on. On the night of that wonderful day, the female singers were hollering and blaring my favorite song ‘That’s Life’ on the show. It sounded awful and I felt their performance was a disgrace to that supreme piece. I couldn’t take it any more and snapped. I yelled at my partner and we quarreled, which was the first fight with him in a long time. With such a small thing, the whole day was ruined. To be precise, I ruined the day with it.

I am not an atheist, but not so religious either. I simply can’t help feeling that something with great power is watching over me. Although it gave me a grandly wonderful day, I didn’t appreciate it, not to mention I ruined it. I was sure that it would take away what it had given me as a punishment for such an arrogant, faithless reaction of mine. In light of what happened today, the punishment would be losing my possession of much more importance than a clothespin and be no more sales at the flea market. I was convinced those two matters would happen to me soon anyway though I regretted bitterly and apologized to that something for what I did.

A couple of days later, I set off for a two-day trip to the city. I dashed out of my apartment by jamming my accessories into my bag as the bus to catch was coming and there was no time to put them on. At the bus stop, two women were chatting loudly while I was taking a mask out of my bag to wear it. I shushed them as usual and got on the bus. I was putting my accessories in my seat and saw my pendant missing. I rummaged through my bag where I had put it, but it didn’t appear. On the bus, in the train, and at the hotel, I kept searching for it by turning out all my belongings, but couldn’t find it. I lost my favorite, most cherished pendant. And I knew it was coming. The punishment. It did happen.

I tried to see how I had lost it, and recalled taking out a mask at the bus stop. That was the only time I took something out of my bag before getting on the bus and the only chance something else could be out with it. I also remembered I was shushing others at that time. I realized again how unappreciative I had been. I was given a practically free trip and still got discontented. Come to think of it, I had managed to live despite financial difficulties and other problems. I had been constantly rescued by something but never appreciated but disregarded because of dissatisfaction. Now I found myself having been so perverse. I asked for forgiveness and determined to be grateful for everything from now on. During the short trip, I learned that much by the punishment and came home the next day with the firm determination to be a better person.

I came into my apartment and turned on the light. On the floor of the entrance, I found the pendant. It had never been in my bag. But it was apparent to me that something returned it to me. Soon after that, another sale was made on the flea market. I was awed by the mercy I received. I was forgiven. A financial crunch that assaulted me had often made me doubt that something. Yet, it still surely watches over me. Since the trip, I have kept my determination and appreciated everything. I haven’t shushed people but smiled. Then, it seems people have become nicer to me and days fuller. 

The Money Pit hr650

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I made up my mind to become a professional musician when I was eighteen living in Japan. I had imagined that the hardest thing to be one was to keep up better works by strengthening talent, which proved wrong. The hardest thing is money. Scraping up funds for activities as a musician without losing time and energy for music is most difficult. It’s equally the case for either an artist who has made a smash hit or the one who has been unsuccessful like me. And it has remained to be the case today after decades passed.
At the very beginning of my music career, I regularly rehearsed in a studio as a member of the band that strongly intended to become professional. It was the first serious band I had joined. I somehow managed to play well enough compared to other skillful members and didn’t get fired at the first session as I had feared. The band was based in Osaka that is a 45-minute ride by train from Kyoto where I lived. The studios the band used were all in Osaka, which meant I needed to pay the studio rental fee and the train fare each time. I was a college student back then, but barely went to class. Instead, I worked at the restaurant as a cashier and spent everything on the band. My time was dedicated to music and I came home just to sleep.
The studio was equipped with a synthesizer but I didn’t have my own although I constantly appealed my passion to become professional. It had gradually seemed odd that I used a rental synthesizer in every session while I tried to motivate other members to be professional as soon as possible. A thought that other members questioned my seriousness began to cross my mind as I continued to play with temporary sounds. Since we played our original songs, original sounds were necessary. On top of that, when I practiced back at home, I used the piano for a synthesizer that was quite ineffective as practice. I finally decided to get my own synthesizer. I chose the latest model at that time called Yamaha DX7 that was featured in almost all the pop songs and albums in the music business of 80s. It cost about 2500 dollars.
Before I joined the band, I had saved money out of my years’ allowances and was going to use that money to study English in England. The amount of my savings was about the same as the price of a DX7. I had put it in time deposit at the credit union bank for higher interest and for my friend just a few months before. That friend of mine had worked at the bank by giving up going to college because she needed to support her handicapped mother and two younger siblings when her father suddenly abandoned them. I wanted to help her in some way and set a time deposit through her with hope that it might raise her performance evaluation at the bank. Sadly, my rare good deed couldn’t last any longer. I went to the bank, apologized her a million times, and cancelled a time deposit. While she kept telling me with a smile “Don’t worry, don’t bother,” I was bathed in guilt, and yet I withdrew my savings and went on to get a DX7. I chose a DX7 over staying in England and being her friend.
After all, it was just the beginning of the long way that I have walked on until today. Since I decided to become a professional musician, I had lost my friends and my family not to mention a college degree as a dropout. What I gained instead are thousands of sleepless nights for worry about money. Even while I stay awake in the night yet again, I still believe that the happiest thing for a human is to fulfill one’s calling.

Early 80s – The Beginning of My Music Career hr641

I started to think about becoming a singer-songwriter in the beginning of 1980’s when I still lived in my hometown of Japan where I was born and grew up. By the end of the first month as a college student, I had lost interest in a college life since I didn’t care about getting a degree or being hired by a renowned company after graduation. A college had turned into an unnecessary place for me because of music. Only I tried to follow the footsteps of a Japanese band that I had admired most. Before they became professional, they started their careers by forming bands at universities and colleges where they were enrolled. I tried to do the same. As I had easily known, I found nobody in my college all of which students were women and most of which students attended as preparations for homemaking and marrying a doctor. I searched other universities for band members, for which I used my otherwise wasteful college life.
At that time, PCs or smartphones were yet to come. Even CDs didn’t exist. To listen to music, you needed to buy a record, put it on a turn table of a stereo carefully and gingerly not to scar the record surface, put down a record needle softly onto the start groove, and wait for music to begin while watching the record turning fast. The moment music started, the space shifted in a flash from where you had been. That was the essence I used to feel with a record. The sound of an analog record is different from the digitalized CD’s one. I feel the former round and deep that vibrates and seeps into the heart. Both Western and Japanese rock music I had listened to back then conveyed something to inspire like a struggle for life or for freedom. I’ve seen quite a few people whose life was actually changed by music.
A record has been given way to a CD, and then to download and streaming. On the making side, recording on a tape by physical instruments has turned more and more into entering data on a computer by software. The sound has become mechanical with copying and pasting. Having an impact is valued more than being dramatic. I hadn’t the slightest idea this kind of music scene would arrive in the future when I lived the beginning of 80’s. I simply had believed that music could change the world and save someone by healing a sore heart just as it did to me. While the music scene did change, my belief remains unchanged. I’ve been striving to make music by taking advantage of the digital side into inspiring songs.
Back in the eighties, I was trying to form a band to have my songs heard as soon as I started a college. I came across a bulletin board of a band circle at one university that was recruiting new members. I went to the meeting where many freshmen gathered. The circle leaders were matching a new member to an existent band according to which part the new comer played and which part the band needed. Because I intended to join a professional-aiming, high-grade band, I pitched earnestly my skills of writing songs, singing, playing the keyboard and the guitar, and most especially, my passion for music. The person who interviewed me said outright that there was no available band for me to join. While I was preparing to leave, I noticed that other freshmen got assigned to a band one after another. They all said they had no skills or had never played an instrument, except that they all were cute and had a flirty smile. Again, my passionate, serious attitude backfired there too, as if it foretold my subsequent music career. I learned that bands at Japanese universities and colleges in 80’s were for those who just wanted to enjoy a campus life not for those who sought a music career.
I was excluded from campus musicians and couldn’t use my college life for member hunting. As a college has become useless to me more than ever, I was sent outside the campus to look for a member in the real world.