The tiny close community of a small village used to be the whole world for me who was born to a farming family living in a rural area of Japan. The sole window to the outside world was TV through which I had encountered what I had never seen in my daily life.
Back in those days, Japanese TV dramas were made and shot in the capital city of Japan, Tokyo. The city view and the people’s way of living in Tokyo looked so cool. Everything from fashion to lifestyle was completely different from things in Kyoto where I lived. On TV, Tokyo seemed like a future world decades ahead to me. I was hooked by one particular weekly crime drama which was shot on location all around Tokyo. Every location looked as if it had been in a Western country and the detectives in the drama were extremely stylish. I was absorbed in seeing that exotic world every week and had spent the other six days of the week waiting for the drama. As soon as I finished watching that show, I would rush into my room and write out the entire show in the notebook. I reproduced all the lines of characters and all the settings by depending on my memory. Since there was no way to record a TV program as a video cassette recorder was yet to come, I read my notebook over and over again to watch it inside my head until the next show was on air. In hindsight, the world of TV dramas was fictional which didn’t exist even in Tokyo, but I was too young to realize that.
Years went by and I became a musician. By the time two years have passed since I joined my first band, the band not only had played gigs around Kyoto but also had made guest appearances and had our songs played on local radio shows from time to time. We had made some connections with music producers who came down to the western part of Japan from Tokyo as judges for some live contests. However, our progress was limited because all the major music labels of Japan were based in Tokyo. My partner and I began to consider moving our base to Tokyo as we were geographically too far off to make a career in music.
Moving to Tokyo was a big deal to me. While I seldom attended, it meant I would quit college once and for all. As a much more serious matter, an old Japanese custom didn’t allow a successor of the family, that was me, to leave home. For me, leaving home meant abandoning my family and all the privileges. Although it seemed crazy to throw away everything when I had no idea how to live on as a musician in Tokyo, I felt living there would be better than staying in my family’s home for the rest of my life. I preferred eating hamburgers and french fries from McDonald’s to eating home-grown vegetables from my family’s fields every single day. I knew it wouldn’t be healthy, but at least I would be able to eat what I chose, when I wanted. To sum up, moving to Tokyo was all about freedom. I was more than willing to jump into the free world where I would make all choices by myself instead of the old fixed rules and customs.
Oddly enough, things went unexpectedly smoothly once I made up my mind to move to Tokyo. Various kinds of obstructions that had been seemingly difficult to be cleared resolved themselves almost magically. The moving day arrived sooner than I had imagined.
I was waiting for the bullet train bound for Tokyo on the platform in Kyoto Station. A friend of mine came to see me off. She was surprised that she was the only one for me there. “Even your parents don’t see you off?” she sounded bewildered. I wondered what awaited me in the outside world of my window. I was both looking forward to it and afraid.
I chose music as my lifelong carrier when I was a college student. The first thing I got down to was to form a band. After I realized I couldn’t find band members at nearby universities because students played music just for fun, I expanded my search to the general public. Until then, the whole world I had been familiar with was the small hamlet where I was born and grew up and the schools I went to. I was about to tread on to the unknown, new world. It was early 80’s when neither the Internet nor SNS had existed yet. The common way to find band members back then was recruitment columns on dozens of pages in a monthly music magazine. When you found someone appealing to you, you would contact him or her by a double postcard to receive a reply. I narrowed down to two postings for a candidate band. As I couldn’t figure out which one was better, I asked my mother out of curiosity. She glanced at each posting and without much attention picked one which address indicated a good residential district. Neither she nor I ever imagined that casual pick would have changed the course of life of mine, my parents’ and of the one who posted the recruitment message. From that point, inexplicable passion moved me in fast forward mode. I jumped on my bike, rushed to the post office to get a double postcard on which I scribbled enthusiastic self promotion on the spot, and mailed it. A few days later I received the reply card with the phone number on it. We talked over the phone and set up the meeting in Osaka where he lived. Osaka is the big city located next to Kyoto where I lived. It took me about a 15-minute bike ride to the train station plus s 45-minute ride on the express train, which was quite a travel for me who was a farmer’s daughter in the small village of Kyoto. Adding to that going to the big city alone was so nervous in itself, the one whom I was going to meet was a boy. I had hardly talked to boys of my generation since I went to girls’ school from junior high to college. That all felt like a start of my adult life. Before I set out for Osaka though, there was a problem. I needed to make s demo tape of my songs for the meeting where we were to exchange demos. When he talked over the phone about the exchange of demo tapes, I said “Exchanging demos? Sure, it’s a matter of course!,” which I found myself in a cold sweat to be honest. I had only one song on a tape that I had made for an audition. All other songs of mine were on paper as it was before the era of hard disc recording by a computer. The gadgets for a demo I had were a radio cassette tape recorder, the piano and the guitar. I didn’t have a microphone or a mixer, which meant I had to record by singing to my own accompaniment in front of the tape recorder. Although I had done that before and even done a few gigs too, the demo I finished this time sounded so lame that I thought he would turn me down as his band member at the meeting. To me, my demo tape sounded as if it made me a laughingstock since I had confidently declared myself to become a professional musician over the phone. He would either laugh at me or get angry for wasting his time when he listened to it. Rather, I may have had excessive self-esteem to think about becoming a musician with those poor songs in the first place. It seemed more and more like the recurrence of my mistake in which I failed the entrance examination of most universities after I had declared to everyone around me that I would go to the most prestigious university in Japan. I felt hesitant to go to Osaka for the meeting. On the other hand, my sudden loss of confidence showed how much I committed this time. At that point of my life, joining a band was so important. An audition or a gig as a high school student was nothing compared to that. I didn’t have my purpose for living anywhere else. It was the only way left for me to go on. I had no other choice but to be heading for the meeting with my demo tape held in my hand.
I was born and grew up in a small village of Kyoto, Japan. My family made a living by farming, which contributed to my even more old-fashioned childhood than usual that was nothing like a current ordinary life. Food on the table was almost self-sufficient that came form our fields or the front yard and the chicken coops of the house. We had only one tiny refrigerator without a freezer that was more than enough as beer or watermelons were chilled by pumping well water. The bathtub was round and made of wood. Its floor was a round iron plate on which a round wooden board was put in to sit. Beneath the iron plate was a small furnace that my grandmother put wood, straw or used paper in the fire to heat water in the bathtub. Our toilet was a wooden bucket placed in the garage. My grandfather would carry it on a wooden pole to our fields as manure. Not only the way of living was old-fashioned, but also the way of thinking was. All the family members obeyed submissively my grandfather who was a patriarch of my family. Women were deemed to be inferior to men and treated unfairly. Families were giving and receiving them through marriage as if they were commodities. But the changes of the world can’t be stopped. In the year I was born, a bullet train started running between two major cities in Japan, Tokyo and Osaka. It was dubbed ‘a dream super express’ because of a high speed. The city of Kyoto where I lived was close to Osaka and on the line of the bullet train. A new special railroad and its platforms were built above the existing ones. The railway near my home accordingly had the new overhead railroad above it. When I was an elementary school student, I crossed the local train railroad and the big, tall, splendid bullet train railroad by an underpass beneath the tracks on my way to school on foot every day. In the middle of the passage, when a local train or a freight train passed above my head, I would cringe at an enormously thunderous noise. But the bullet train sounded like a whistling wind, almost soothing. The number of children had been increasing as the economy was picking up. The elementary school I went to burst with students and a new school was built when I was in the fifth grade. I was sent to the new one that stood right next to the railroad. Out of the windows, the bullet train was running. From a brand new school building, I had never get bored to see the bullet train zipping past at incredibly high speed through the countryside where time went by so slowly. Thanks to the bullet train, my new school had the air conditioner since the building had soundproofing windows that can’t be opened because of train noises. My former four years in the old school with wooden buildings and coal stoves were felt like ancient. I loved the bullet train so much. To me, it seemed alive with a soul like Thomas the Tank Engine as its headlights looked like eyes and its coupler cover looked like a nose. Since I had difficulty in getting along with others back then, I felt more attached and closer to the bullet train than other human beings. Every time I saw it passing by, I sensed it glanced at me and was running toward the future, carrying hope and dreams. Years later, I left home of an old village and moved to Tokyo by bullet train to become a musician. Sometimes there is a day when we feel that this world has come to an impasse and been headed just for destruction. But if we adapt ourselves to new ways of living or thinking, we may be able to see more of something bright and exciting. In 2027, Japan is going to have a new railway on which magnetic levitation bullet trains called Linear Bullet Trains run at the highest speed of 320 miles per hour. I wonder how their faces look like. I can’t wait to see them.