It was so funny, ironic, stupid and joyful

When I decided to go back to the mix down
from the mastering of our new song in order to
boost its overall volume, I prepared to take a
few more months to complete it.
Once I accepted the delay and released
myself from constraint called time, things
presented a new twist. I had compared the
volume of our song to other CDs with the
stereo components. Our song came from the
computer through the line-in of the stereo,
which meant I compared the line-in sound to
CDs. Before going back to the mix down, I
burned the song to a CD as a low-volume
version because except for the volume, the
mastering went perfectly.
It happened when I checked the sound of
the CD. The volume was as high as other CDs!
It had been indeed boosted already during the
mastering. I just compared it in a wrong way
through the line-in. I had been struggling with
the volume for a couple of months based on
my false judgement.
When I heard our song at the right volume, I
found out how silly I was and laughed out loud.
At the same time, I burst into tears for
indescribable joy. The only remaining problem
to complete this song was the volume. Now
that the volume was boosted, the song’s
completion was within my grasp.
Looking up at the ceiling of my room, I was
loudly laughing, crying, then laughing, and
again crying, with tears falling down. It was so
funny, ironic, stupid and joyful…

Episode From Surviving in Japan / Hidemi Woods

Audiobook : Japanese Dream by Hidemi Woods On Sale at online stores or apps. Apple, Audible, Google Play, Nook Audiobooks,  43 available distributors in total

money pit

I’ve been working for mastering of our new
song for some time now. I still can’t get it up
to my satisfaction though, after using
everything I’ve got. I successfully made the
sound itself exactly what I’d wanted. The only
problem is the volume. I tried countless
compressors and limiters, read a book on the
subject and looked it up around on the
Internet with no luck. Our song stays in low
volume compared to other CDs.
The other day, I found mastering software
that many engineers regard as an ultimate
volume booster. It looked attractive, but it was
quite pricey. It was my decision whether I
bought it or took our song to a studio engineer.
I just wanted to try the software and go
through with the mastering so badly. I decided
to try to the best of my ability and then, after
it became certain that I couldn’t, turn to a
professional. I bought the software.
Now, the road to a goal is one, only the
ending will be either the software or the studio.
I’ve known that completing a song takes time,
but music also can be a money pit…

Episode From Surviving in Japan / Hidemi Woods