It was so funny, ironic, stupid and joyful

When I decided to go back to the mix down
from the mastering of our new song in order to
boost its overall volume, I prepared to take a
few more months to complete it.
Once I accepted the delay and released
myself from constraint called time, things
presented a new twist. I had compared the
volume of our song to other CDs with the
stereo components. Our song came from the
computer through the line-in of the stereo,
which meant I compared the line-in sound to
CDs. Before going back to the mix down, I
burned the song to a CD as a low-volume
version because except for the volume, the
mastering went perfectly.
It happened when I checked the sound of
the CD. The volume was as high as other CDs!
It had been indeed boosted already during the
mastering. I just compared it in a wrong way
through the line-in. I had been struggling with
the volume for a couple of months based on
my false judgement.
When I heard our song at the right volume, I
found out how silly I was and laughed out loud.
At the same time, I burst into tears for
indescribable joy. The only remaining problem
to complete this song was the volume. Now
that the volume was boosted, the song’s
completion was within my grasp.
Looking up at the ceiling of my room, I was
loudly laughing, crying, then laughing, and
again crying, with tears falling down. It was so
funny, ironic, stupid and joyful…

Episode From Surviving in Japan / Hidemi Woods

Audiobook : Japanese Dream by Hidemi Woods On Sale at online stores or apps. Apple, Audible, Google Play, Nook Audiobooks,  43 available distributors in total

Time is relative like happiness

I found that the problem I’ve been tackling,
which is to boost the volume of our new song,
could be solved by redoing the mixdown. But
it’ll take a few more months to complete.
Also, I feel reluctant to tell my partner that I
need more time to complete the song. I
thought about an extreme.
What if I were the only human on this
planet? If there were no one else besides me, I
would redo by taking as much time as I want
until I reach my satisfaction. Time is relative
like happiness and bears meaning simply in
relation to others. Come to think of it, our new
song is written just about it. While I’ve been
working on it, I ignored what I had written
myself. So, I decided to go back to the
mixdown. Considering the song’s theme, it was
destined to take time…

Episode From Surviving in Japan / Hidemi Woods

money pit

I’ve been working for mastering of our new
song for some time now. I still can’t get it up
to my satisfaction though, after using
everything I’ve got. I successfully made the
sound itself exactly what I’d wanted. The only
problem is the volume. I tried countless
compressors and limiters, read a book on the
subject and looked it up around on the
Internet with no luck. Our song stays in low
volume compared to other CDs.
The other day, I found mastering software
that many engineers regard as an ultimate
volume booster. It looked attractive, but it was
quite pricey. It was my decision whether I
bought it or took our song to a studio engineer.
I just wanted to try the software and go
through with the mastering so badly. I decided
to try to the best of my ability and then, after
it became certain that I couldn’t, turn to a
professional. I bought the software.
Now, the road to a goal is one, only the
ending will be either the software or the studio.
I’ve known that completing a song takes time,
but music also can be a money pit…

Episode From Surviving in Japan / Hidemi Woods

matter of a little more volume

I’ve been mastering our new song on my new computer, which has an updated version of Cubase. I’m more than satisfied with its effect line-up but sound itself was better on my old computer. In a timely manner, the sound card on my new computer got disconnected from the software suddenly and I installed the old physical one to replace it. Sound became much better but I found out that the overall volume of the new song wasn’t as high as it was supposed to be.

I had set some effects to boost the volume and it sounded on a par with audio CDs. As it turned out, the former sound card didn’t support the direct monitoring and I had listened to amplified sound by the computer. It’s the matter of a little more volume now that I’ve gained most of it with a variety of effects. From this point on, it has come down to my idea. The question is, do I still have any ideas left…?

Episode From Surviving in Japan / Hidemi Woods

music can be a money pit

I’ve been working for mastering of our new song for some time now. I still can’t get it up to my satisfaction though, after using everything I’ve got. I successfully made the sound itself exactly what I’d wanted. The only problem is the volume. I tried countless compressors and limiters, read a book on the subject and looked it up around on the Internet with no luck. Our song stays in low volume compared to other CDs. The other day, I found mastering software that many engineers regard as an ultimate volume booster. It looked attractive, but it was quite pricey. It was my decision whether I bought it or took our song to a studio engineer. I just wanted to try the software and go through with the mastering so badly. I decided to try to the best of my ability and then, after it became certain that I couldn’t, turn to a professional. I bought the software. Now, the road to a goal is one, only the ending will be either the software or the studio. I’ve known that completing a song takes time, but music also can be a money pit…