success

you dread anyway whether it sells or not

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My sister always wanted to be a writer but she has settled for being a local government employee.

In a dream I had the other night, my sister said, “I haven’t written anything because I dread that my work won’t sell.” And I replied, “Even if it sold, you would dread that your next work wouldn’t sell while people around you expect a great deal. So, you dread anyway whether it sells or not.”

I woke up and was marveled at what I said in there. In my real life, I’ve never thought that way while I’m craving success in my music career where nothing has sold. I heard my subconscious talk in the dream. That made me think. If I dread either way, it’s meaningless to be disappointed at myself who is still an unknown or to be impatient to make a hit. In fact, too many artists with a big hit got caught by alcohol or drugs and died young.

As an artist, it’s ideal to create music at my own pace without any pressure and hold on. Having said that, I can’t shake off a stupid desire to make a big hit and show off at a high school reunion in front of my old friends who ended up housewives…

Episode From Surviving in Japan / Hidemi Woods

Audiobook : Japanese Dream by Hidemi Woods On Sale at online stores or apps. Apple, Audible, Google Play, Nook Audiobooks,  43 available distributors in total

Tokyo

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Moving to a new place reminds me about the time when I first left home. I had always longed to live in Tokyo since childhood, watching modern high-rises or cool apartments in TV dramas. I knew that would never happen to me because I was a firstborn in a family succeeded from generation to generation and was destined to finish my life in the country family house.

But music provoked me to throw away everything – my family, friends, college life and, above all, secure life – and to move to Tokyo. As almost all Japanese record companies were in Tokyo and there were many musicians as well, I thought it would be easy to promote my music and find good band members. In actual fact, I only found bad musicians in an unsightly city with too many people, and the record companies picked trashy songs by ignoring mine. Except that I was so happy to have left the place where I was born, things in Tokyo weren’t as good as I had expected…

Episode From Surviving in Japan / Hidemi Woods

Audiobook : Japanese Dream by Hidemi Woods On Sale at online stores or apps. Apple, Audible, Google Play, Nook Audiobooks,  43 available distributors in total

The Happiest Place in Tokyo hr664

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It was 1983 when the theme park which host is the mouse opened in Japan for the first time outside the U.S. Two years after it opened, I left my hometown and began to live by myself in Tokyo to pursue my career as a musician. My partner was the one that I had a meeting with to join my first band and I had worked with ever since. He also moved to Tokyo and settled in an extremely shabby small 50-year-old wooden apartment. We were going to find  band members in Tokyo together and to start our new band. However, things didn’t go as smoothly as we had planned and we had fretted ourselves. For a change of a glum mood, we decided to visit the theme park for the first time.

In those days, the concept of a theme park hadn’t been pervasive in Japan and amusement parks were just big fairs with common rides for kids. I had no idea what a theme park meant either when I first visited there. Although I hadn’t even dreamed of that, the visit came to have changed my life significantly.

As I stepped in the park without any particular knowledge nor expectation, I was instantly shocked. What spread in front of my eyes was a world that was totally different from the Japanese one outside. All the buildings were pretty and cool as if they had been popped out of picture books or foreign movies. One of the areas duplicated a street of an American remote town which looked so attractive. Other than numerous authentic quality attractions, amazingly professional shows were played everywhere with great dancing and singing from the cast. The true entertainment was there. Also, not a single piece of litter was spotted on the ground. The moment someone dropped one popcorn, a cleaning worker appeared from somewhere and swept it in a flash. Each and every worker was kind and smiling. Even when a small child vomited, they didn’t make a wry face but cleaned with considerate treatment. The park’s number of visitors were not big because it had been only two years since the theme park opened and it hadn’t gotten so popular yet. That made it perfect with no crowd and I imagined that the intended concept of the person who came up with this park’s idea almost truly got materialized. Furthermore, Japanese signature courtesy and earnestness was added to that. The staff were standing straight in front of the attractions without slacking, waving at the passing guests with a smile and a bow. At the restaurant, they served with excellent attitude and speed though there was no custom for a tip. It seemed this was the very place that the world should be and a utopia that wasn’t believed to exist in the real world.

There was one more huge aspect that captured my heart. Since I was a child, I have had difficulty with being with people. Because I didn’t have a friend when I was little, talking to stuffed animals was my habit to relieve loneliness. To my surprise, in this park, man-sized stuffed animals appeared one after another all around and lived there as the residents, waving at the guests or looking at merchandise at the shop or teasing the staff. From up on the stage of the revue, they were singing toward the guests that dreams would come true. The world I had dreamed of did exist there and I became a captive to this magical park.

The day filled with emotion and excitement came to an end and the park’s closing time arrived. I didn’t want to leave. I strongly wished I could stay in this place. With tears in my eyes, I went through the park’s gate into the city of Tokyo where I now got to live and grungy anxiety and frustration engulfed me every day. I took the bus from the park remembering what my mother once told me when I couldn’t sleep. She said that if I waited patiently in my futon, a bus would eventually come to pick me up and take me to the dream world of stuffed animals. I finally understood she had unknowingly meant this bus and this park. Tokyo used to be the dream place for me who was born and raised in a rural part of Japan. But when I got there, Tokyo turned into mere somber reality. Now that I saw an earthly paradise like this theme park, I began to fancy myself living there or in some place that at least looked alike.

Ten years later, I was living in California, speaking English instead of Japanese. I hadn’t even dreamed of that kind of my future on that day when I first visited the theme park. 

Living by Myself in Tokyo hr663

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When I left my hometown for Tokyo and started living by myself there in the mid 80’s, quite a few second-run theaters for movies still remained. Those theaters showed two or three films at the price of one new film. The best experience of mine was when I saw ‘Top Gun’, ‘Taps’ and ‘Back to the Future’ as an all-night triple feature program at a second-run theater in a suburb of Tokyo. Those films were already a bit old by then and the show time was the middle of the night, so that the price was incredibly low accordingly. I left my apartment at night, ate out for dinner, got hamburgers to have inside the theater and was immersed into the movie world until dawn. The main attraction for me had been ‘Top Gun’ that turned out to be so-so. Instead, I was deeply moved by ‘Back to the Future’ although I had thought it would be a silly 50’s comedy judging from its trailer. The film became my best one and had held that position for many years to come.

Back then, I had just moved to Tokyo to become a musician in spite of all the opposition from my family and friends. I had been feeling unsettled constantly because of anxiety and loneliness, which stemmed from uncertainty of my future. I had been clueless about whether I would be successful as a musician and how my life would unfold itself. I saw ‘Back to the Future’ in that state of mind and the story and the ending of the film encouraged me immensely.

When I lived in my hometown with my family, many rules bound me. To begin with, that all-night movie experience was a dream within a dream since my curfew was as early as 9 p.m. Other rules were abundant. Singing while eating was forbidden, a gap between the body and the edge of the table must not exist during the meal, whistling or playing the piano after dark was prohibited, some ways of talking to my grandparents were banned, walking with audible steps inside the house wasn’t allowed, chewing something in the mouth in public was regarded as an act of barbarity, and so on and on. But once I began to live by myself, I was freed from all the family rules and everything was left to my discretion. I ate what I wanted, when I wanted. I woke up when I felt like it, since I didn’t work at an office. I slept until evening at times, and rarely cleaned or did the dishes. The bathroom got moldy. While I appreciated freedom, I realized how slack I really was. My music career didn’t go well either. I had expected I could find my band members easily as Tokyo was the biggest city in Japan where so many aspiring musician gathered from all parts of Japan. The reality was Tokyo simply had too many bad unmotivated musicians. It was extremely hard to find a member whom I desired and my band just kept breaking up. That was far from what I had planned as life in Tokyo. I sometimes got tempted to doubt if my decision to come here was the right one even though I hadn’t had any other choice.

When I finished to see the movies all night and left the theater, it was early morning in the real world. I headed back for my apartment. The train had started running and many commuters were walking hurriedly and gloomily toward the station already. They used the train bound for downtown that was an opposite direction to where I was going. I was waiting on the empty platform for my train while watching them waiting on the nearly overflowing platform. When their train came, they pushed and crammed themselves into the cars. The station workers additionally pushed their backs from outside to squeeze as many passengers as possible in and the train doors barely closed. Minutes after it departed, the platform got filled with commuters quickly again. I stepped in the empty opposite train and yawned in the seat, remembering ‘Back to the Future’. When I decided to live by myself in Tokyo that was a far and unknown big city, I was afraid and trembled for what my life was going to be like. I gave up my right to an inheritance by leaving my family, and a possible steady income by quitting college. I was alone by parting from my family and my friends who disagreed and didn’t support me mentally. I threw away everything which wasn’t easy for me. But as Marty’s father dared, I had dared in my own way and left for Tokyo. I hoped that action of mine changed my future. In a good way, I wished. 

The Survivor hr661

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A small plane was landing on a runway. Beyond it was a blue ocean with white wave crests beneath a cloudy sky that was beginning to be cracked and show a glimpse of the blue sky with a ray of sunlight. That was what I was gazing blankly at through a glass wall of the lounge over coffee and vegetable juice at the small local airport in Japan. Then a thick rainbow appeared from the sea surface toward the sky. It didn’t arc but stretched upright like a big pillar. I hoped it was a good omen.

When I faced financial difficulty and my income decreased sharply last year, I was resigned not to be able to afford a trip ever again. But as it turned out, I have taken a trip much more than I had ever done before in a year because the Japanese government subsidized to save the struggling travel industry so that I could enjoy a hotel stay with a minimal amount of money by using the benefit. I am such an unprincipled person who willingly make use of a bill when it comes to benefits while I usually criticize the government. And here, I was having a good time at the exclusive lounge for holders of a credit card with a premium status that I obtained by the credit card company’s promotion for first-year-free membership. Of course I am going to cancel the card within the first year during which I make the most of it by taking advantage of free stuff as much as possible. My decreased income hasn’t improved at all, yet I manage to hang onto my life persistently although it seemed all over one year ago.

I used to be sulky all the time when I was a child. I would constantly grumble and complain to my parents and they frequently asked me why I couldn’t be thankful for anything even a little bit. I still don’t know why I behaved like that, but I certainly had been discontent with pretty much everything as far as I can remember. It could have been nasty meals, could have been a tense atmosphere living with my grandparents, or could have been pressure from an unspoken rule to become a successor of the family as a firstborn. In any case, I was simply surrounded by what I didn’t like. Although my family was wealthy in those days, I didn’t find anything to be thankful for as a child.

I remained the same in my twenties. I was filled with anger everyday though I managed to leave home and live on my own as a musician instead of succeeding the family. I had craved for fame that I couldn’t get no matter how hard I tried. I bore a strong grudge against major record labels and the Japanese society as a whole that wouldn’t appreciate me. I couldn’t see one single thing that I should be thankful for. Everything in the world looked hostile to me.

Now I got old and thankful for being able to continue to do what I want to do for my life while I still have neither money nor fame. I have learned that one can find a way to live somehow unless one loses oneself. I finished my last glass of free drinks after so many glasses of it at the lounge while seeing a small plane blasting down the runway and taking off. I left the lounge with my partner and headed down to the airport lobby with the escalator. There, I found a gigantic Christmas tree against the backdrop of a beautiful twilight sky out of the window. Watching the glittering Christmas tree, I felt blessed, and thankful as well. 

When You Wish Upon A Star hr660

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About a month ago, out of the blue, an offer for an online guest appearance came to me from a Podcast talk show. Since appearing on any talk show in the world remotely is possible thanks to the Internet while I reside in Japan, I took the offer rather casually. However, the more I got to know about the show, the more dismal my decision looked.

The show broadcasts from New York not only on Podcast but also on YouTube which means people see me not just listen to me. The content is an hour-long, one-on-one interview with the host. Learning those, I was gradually getting into trouble. I am an expert of stage fright and get extremely nervous in front of people. I do have my own Podcast show, but only on the premise that no one could see me behind the microphone. I have a complex about my looks and I couldn’t imagine how nervous I would be if I appeared on the screen. I would get hyper-tense and my broken English would get even worse. I would become speechless in the middle of the show or maybe would pass out. The show would be a mess and ruined because of me. It would certainly end in disaster.

My first appearance as a guest on a local radio show happened when I was twenty years old. Although only my voice was on the air, I was so nervous that I actually soiled myself, which I summon all the courage to confess here for the first time. As more shame of mine, I usually get soaked with sweat whenever some neighbors happen to talk to me. My sweat keeps dripping down just for trifling chattering and even my native language Japanese got broken because I am keyed up too much. I am excessively self-conscious and afraid of how I look and how I sound at all times. I didn’t think such a person like me was able to speak properly in front of the camera. For the whole one month after the online interview was scheduled, I had been fretting and worried about the show. The worst case scenario had come over my mind so many times and convinced me that I should cancel it each time. On the other hand though, I knew it could be a one-in-a-million opportunity for me. As a nameless artist, receiving an offer for a guest appearance might never happen again in my life. It was too valuable to throw away since this could easily be the last chance I got. I decided to go through it after days of consideration and wavering. As the date was closing in, I had relived my life in elementary school where a vaccination was mandatory on a regular basis. Because I was terrified of needles, I didn’t want the scheduled day to come. As it came closer, I counted down the remaining time and hoped that day would pass in a flash or I would do a time warp to the next day of the injection. I even thought it would be better that the world ended before the shot. I had felt the same way until the interview finally arrived.

The interview started at 2 a.m. Japan time because of the time difference. I am a night person, but my brain has almost engaged in a sleep mode at 2 o’clock in the morning. Adding to that, a rash broke out due to lingering nerves. On top of that, I lost some weight and my stomach constantly growled because I had had a decrease in appetite since the interview was scheduled. I knew the microphone would pick up my stomach’s growling during the recording. The condition had never been worse. By the time the recording actually began, just to wrap up was all I wanted. 

In the end, I was elated enough to be conceited and talk large thanks to the excellent, compassionate host while it was so miserable that it was painful to watch or listen. As it turned out, I somehow felt good to talk about what I was thinking although my ever messy speaking conveyed merely half of what I really wanted to say. Above all, it was all done, and I didn’t soil myself this time.

I had always dreamed of getting on a talk show as a guest. Every time I watched a talk show on TV, I had secretly wished to be there someday since I was little. I used to imagine myself being asked questions and answering them on the screen. I would wonder what kind of feeling it would be seeing someone have interest in me. After so many years, I was unexpectedly blessed with an opportunity like this, which was quite magical considering the fact that I became neither famous nor rich. And I realized that my dream came true.

Tokyo hr659

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The tiny close community of a small village used to be the whole world for me who was born to a farming family living in a rural area of Japan. The sole window to the outside world was TV through which I had encountered what I had never seen in my daily life.

Back in those days, Japanese TV dramas were made and shot in the capital city of Japan, Tokyo. The city view and the people’s way of living in Tokyo looked so cool. Everything from fashion to lifestyle was completely different from things in Kyoto where I lived. On TV, Tokyo seemed like a future world decades ahead to me. I was hooked by one particular weekly crime drama which was shot on location all around Tokyo. Every location looked as if it had been in a Western country and the detectives in the drama were extremely stylish. I was absorbed in seeing that exotic world every week and had spent the other six days of the week waiting for the drama. As soon as I finished watching that show, I would rush into my room and write out the entire show in the notebook. I reproduced all the lines of characters and all the settings by depending on my memory. Since there was no way to record a TV program as a video cassette recorder was yet to come, I read my notebook over and over again to watch it inside my head until the next show was on air. In hindsight, the world of TV dramas was fictional which didn’t exist even in Tokyo, but I was too young to realize that.

Years went by and I became a musician. By the time two years have passed since I joined my first band, the band not only had played gigs around Kyoto but also had made guest appearances and had our songs played on local radio shows from time to time. We had made some connections with music producers who came down to the western part of Japan from Tokyo as judges for some live contests. However, our progress was limited because all the major music labels of Japan were based in Tokyo. My partner and I began to consider moving our base to Tokyo as we were geographically too far off to make a career in music.

Moving to Tokyo was a big deal to me. While I seldom attended, it meant I would quit college once and for all. As a much more serious matter, an old Japanese custom didn’t allow a successor of the family, that was me, to leave home. For me, leaving home meant abandoning my family and all the privileges. Although it seemed crazy to throw away everything when I had no idea how to live on as a musician in Tokyo, I felt living there would be better than staying in my family’s home for the rest of my life. I preferred eating hamburgers and french fries from McDonald’s to eating home-grown vegetables from my family’s fields every single day. I knew it wouldn’t be healthy, but at least I would be able to eat what I chose, when I wanted. To sum up, moving to Tokyo was all about freedom. I was more than willing to jump into the free world where I would make all choices by myself instead of the old fixed rules and customs. 

Oddly enough, things went unexpectedly smoothly once I made up my mind to move to Tokyo. Various kinds of obstructions that had been seemingly difficult to be cleared resolved themselves almost magically. The moving day arrived sooner than I had imagined.

I was waiting for the bullet train bound for Tokyo on the platform in Kyoto Station. A friend of mine came to see me off. She was surprised that she was the only one for me there. “Even your parents don’t see you off?” she sounded bewildered. I wondered what awaited me in the outside world of my window. I was both looking forward to it and afraid. 

It was so funny, ironic, stupid and joyful

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Photo by Dmitry Demidov on Pexels.com

When I decided to go back to the mix down
from the mastering of our new song in order to
boost its overall volume, I prepared to take a
few more months to complete it.
Once I accepted the delay and released
myself from constraint called time, things
presented a new twist. I had compared the
volume of our song to other CDs with the
stereo components. Our song came from the
computer through the line-in of the stereo,
which meant I compared the line-in sound to
CDs. Before going back to the mix down, I
burned the song to a CD as a low-volume
version because except for the volume, the
mastering went perfectly.
It happened when I checked the sound of
the CD. The volume was as high as other CDs!
It had been indeed boosted already during the
mastering. I just compared it in a wrong way
through the line-in. I had been struggling with
the volume for a couple of months based on
my false judgement.
When I heard our song at the right volume, I
found out how silly I was and laughed out loud.
At the same time, I burst into tears for
indescribable joy. The only remaining problem
to complete this song was the volume. Now
that the volume was boosted, the song’s
completion was within my grasp.
Looking up at the ceiling of my room, I was
loudly laughing, crying, then laughing, and
again crying, with tears falling down. It was so
funny, ironic, stupid and joyful…

Episode From Surviving in Japan / Hidemi Woods

Audiobook : Japanese Dream by Hidemi Woods On Sale at online stores or apps. Apple, Audible, Google Play, Nook Audiobooks,  43 available distributors in total

The Katsura River hr658

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Back in those days of my childhood, a person who was going to commit suicide always took his or her shoes off and put them together neatly before jumping from the top of the building on Japanese TV dramas. It seemed Japanese people wanted to take off their shoes even when they tried to kill themselves just as they took them off at the entrance of the house. I somehow feel convinced.

There is a bridge called Katsura-ohashi Bridge over the Katsura River about a twenty-minute walk away from my family’s house that used to stand in Kyoto where I was born and grew up. The bridge is about 400-feet long as the river under it is quite big and wide. On one summer day in the fourth grade, I went to the bridge with seven or eight friends of mine to play by the Katsura River. Because it was probably the first time each of us played at the riverside without a grown-up chaperon, the outing was felt like an adventure and we were having so much fun by the river.

After a little while, one of my friends seemed to have enough spree to suggest we walk in the river along the bridge piers  toward the opposite bank. It was midsummer and the river banks had widened with less water. To us, the river looked shallow and easy to walk in and go further. Since we were all feeling adventurous, we persuaded ourselves that a fourth grader was a big, old kid for whom crossing the river on foot was a cinch. We started splashing across the current with a war cry.

In the beginning we were only ankle-deep in water, but soon water reached to our knees. Our walking speed dropped tremendously. By the time our thighs dipped in water, the stream got fast. It was hard just to stand still without holding onto a bridge pier although we had trod across merely one third of the river. The fast stream crushed against the bridge pier and my thighs, splashing big waves. Suddenly, fear sprang out from the bottom of my guts and yelled at me, “You’re in real trouble! You can’t possibly move ahead. What if you get swept away? Not to mention the opposite bank, you’ll drown to death right here!” Panic engulfed me. I looked back to return, but I was too scared to move, feeling that with this one step I was going to be carried away by the current. There was no way either to go forward or to go backward. I was stuck in the middle of the strong current. Thinking that wasn’t what was supposed to go, I looked around other kids. They also had stopped walking with a scared face just as I did. As if a tacit agreement, we slowly tried and managed to move backwards. When we finally returned to the riverbank where we had set off, our spree had thoroughly gone. Dejected in heart, without talking, we plodded our way home.

About ten years later, I was looking at the Katsura River again from the edge of Katsura-ohashi Bridge after taking off my shoes and putting them together neatly. It was when over a year had passed since I started my career as a musician despite dissent from my parents and friends. Although I had tried harder than I had ever done before, nothing had worked. On the other hand, I didn’t want to live doing what I didn’t want to do. I was stuck without either way to go forward or to go backward, again. I leaned over the parapet and stared at the surface of the river, seriously intending to jump into it. Then, something came into view. I saw three ducks swimming out from under the bridge. They stopped right down below me and just floated there. I vaguely thought I might strike and kill them when I jumped and hit the surface. All of a sudden, that thought drove me out of a daze. I came to my senses and pulled myself back away from the railing. Until that point, the world around me had been completely silent, but noises came back to my ears all at once. I noticed some cars honked at me while passing by. I hurriedly put back on my shoes.

You should challenge at the risk of your life if you wish to fulfill your dreams. Only after you brace yourself for death, can you live your own life. To attain that understanding, I had had to do a few more suicidal attempts in the course of my life. I understood after all and keep challenging, thankfully. 

My Robot Band hr657

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Photo by Kindel Media on Pexels.com

Year of 1984 was one of the bitterest years of my life and also a major turning point. After I was able to join the band of a locally acclaimed young man, the band had been striving to become professional in Osaka, which is the biggest city in the western Japan. While I had unwavering confidence in the songs we wrote, we constantly had difficulty in finding desirable members. Except for him and me, other members had come and gone, and we couldn’t materialize our ideal sound with any of them. Even a gig was almost impossible with just two of us being permanent members.

My partner and I couldn’t waste any more time searching for apt band members who shared similar passion as ours and played exactly how we wanted. As the solution, we came up with the idea to use a rhythm machine and a sequencer in place of human members. Those gadgets were the cutting edge of music instruments at the time and had just appeared on the market. We thought they would be perfect band members who realized our sound as we requested because we were the ones that put data into them. We weren’t sure about the passion side of machines, but at least they would commit and wouldn’t quit like humans did. Because personal computers were still in the floppy disk era and not strong enough for music, we connected a rhythm machine, a sequencer and synthesizers with cables to play a gig. Added to the machines, I was on the keyboard and vocals, and my partner was on the guitar and vocals. There formed my robot band.

Although it had seemed perfect, we faced quite a few obstacles to play in the band with machines. Let alone it cost heftily and carrying them around by two of us without a car was a daunting physical challenge each time, it took enormous time to enter the whole data of our songs into them. As thumb drives or hard disk drives were yet to come, we needed to record special signals sounding like ‘beeeeep, bip, beep, bip, beep’ into a cassette tape to save the data. The data consumed one cassette tape per song, not at one go although the signals were long. I once inadvertently tripped on one of the cables which erased the whole data that I had spent all night inputting. The worse troubles awaited us at the gig. The innumerable necessary cables and cords made setting and preparation for my band far more complicated and time-consuming than other bands. One single wrong connection would break synchronization. On one occasion, the machines didn’t start and we couldn’t play but stood still on stage because one of the stage staff pulled out one cable by mistake. On another occasion, one of the machines suddenly uttered “Pi!” and went silent in the middle of playing. Furthermore, I needed to put a specific setting for each song on the several keyboards during every interval between our songs. Because the stage usually went dark between songs, it wasn’t easy to see the correct buttons and switches on my keyboards. A stage staff person once came up on the stage to help me with the setting by lighting over my keyboards with his lighter. The venue strictly banned any use of fire and he was harshly reprimanded for that afterwards because of me. Through those unpredictable chilling experiences, I basically feared every time if songs would start without hitches instead of enjoying gigs whenever I was on stage.

Still, harder trials existed. Other bands mostly consisted of college students who played as a hobby not for a career. Their attitude toward music was incredibly easygoing and they were just having fun on stage. Their songs were frivolous likewise. Yet, they were able to draw a large audience since they had friends on the campus so that their gig was usually a big hit with a livened up crowd. On the other hand, my band was just two people standing surrounded by numerous instruments and machines, and singing serious lyrical songs. Because we didn’t have friends to gather, the audience were strangers who had no interest in our playing and just waited for our gig to end.

That was also the case when we took part in a live contest. To make matters worse, a contest was sometimes fixed where the winner had already been decided. As I didn’t know that the contest was only held to give that winner the credential before the label signed a contract with the prearranged winner, I was appalled when we lost to a really bad but pretty singer.

I had gotten to loathe live performance by those experiences. Not just loathe it, but I had gotten to break out in a cold sweat on gigs. Since then, we have performed live less and less and have done none these days. I guess that shows how much I learned the hard way. To this day, the nightmares I have most are that I am playing on stage. However, my robot band has been transformed since it got off stage. The machines turned into a personal computer with software who has been my important partner to create my music. Thanks to it, I have been able to embody exactly what sounded in my head. A long period of time later, my robot band eventually made my dream come true.